“Nothing in life is free, baby! Everything’s got a price. You may not see it right away, but if you dig deep enough or wait long enough, you’ll find out you still have to pay the piper.” – Mi Tia
Face it, we’re all hookers of some sort. Whether we hawk our time out to an employer, hawk our wares (books, music, art … what have you) to the masses, or that housewife who does her damnedest to keep the house in order, put food on the table, get the kids here and there – giving the hubster a little pickle tickle that will hopefully keep you both sexually satisfied and maybe, just maybe, he’ll get you a little sparkling bauble for your anniversary to let you know how much he appreciates you.
Ain’t nothing wrong with that. Hell, I’m in the same boat, so it isn’t like I’m trying to be all elevated and shit about this. We all hookah’s, bitch!
One way or another, that is.
So why am I going on with the whole prostitute thing? Well, when I have the need to promote what I do, it feels a little like standing on the corner watching the John’s roll by:
That’s what it feels like. I know I said on many occasions that I write for the sake of writing – that releasing it and promoting it isn’t my thing. It still isn’t. So why do it? Especially if it makes me feel all hooker-ish? Well, oddly enough, for the same reasons that I write – I just like the creation process. I release the damned things to see what will happen, but I’m not tied to it’s success. Actually, if it flops I find that more fascinating. Lessons learned and all of that rot, ya know?
So over the Christmas holiday I spent a fair amount of time working on a book trailer. Mostly to flex my video and special effects editing muscles (yeah, I got those … my daughter went to film school at SFSU … who do you think assisted in production of her school work?). Between Seven Styles on YouTube and Andrew Cramer’s brilliant VideoCoPilot.net site, I am fairly well stocked with the special effects and editing arsenal that I need to do some serious book trailer damage.
So when I decided to give my series a go with a book trailer (… btw, are they still a thing?) I wanted something different. So I dug around until I found an effect that looked promising. For those not in the know, Seven Styles produces some of the best damned photoshop actions (think of them as self running applets within photoshop that can speed along your creative process) in the business. It also doesn’t hurt that you get to hear his lovely Aussie accent in his training videos on his YouTube channel.
So why divulge this little gem to you all? Because the whole process is adjustable anywhere along the creation spectrum that what you would produce with it wouldn’t be the same as what I produced with it – even if we were using the exact same base images. The whole process is completely customizable. But there is a rather large caveat – while it’s easy to work with the elements that make up this particular effect – you do have to have Adobe Creative Suite (which includes Photoshop and AfterEffects) as well as a working knowledge of both programs. So it’s not for the novice to try and kick it out. The concepts in AfterEffects alone might make you run for the hills. I happen to have several semesters of AfterEffects training so I’m fairly comfortable with it all.
Next up … Andrew Cramer’s Video Co-Pilot offerings:
For those who don’t know who this guy is I’ll lay dollars to donuts you actually do. You just might not know his name, but you are very aware of his work in the industry – have you seen either of these?
Or this one?
Yeah, he’s that guy. Andrew Cramer is not only infinitely talented in the SFX arena, he’s also extremely generous with what he knows. His tutorials on his website are both entertaining and informative. Here’s a video I made using one of his tutorials – it’s from a AfterEffects class I took in college. I shot the video on my hi-8 camcorder – I wanted a rough look to it. The wind wasn’t generated by me – that was just my dumb luck that I caught it on tape. I just timed that when the column of energy spirals upward it was in sync with the wind gust I recorded on the video.
So, what do you think?
Not too shabby, eh?
But a hookah’s gotta have his tricks in his back pocket if he’s gonna be somebody, right? So, uh, yeah, I nearly bought the whole damned farm from Andrew’s site. Same with Seven Styles, too. So I’m bringing game. Been thinking I’ve enjoyed making my trailer so much I might want to start making these for other authors out there. Who knows what I can come up with? Taking me away from writing is a concern, but hey, nothing ventured and all that rot, right?
So any John’s out there wanna rent a hookah? This bitch is up for grabs …
Until next time …
I’ve waffled enough on this. To release it or not. Look for a lit agent or not. Traditional pub or not. I went back and forth so many times I started to see myself coming. I’ve tugged on my beta readers like you can’t imagine – trying to think through every permutation I could come up with to getting it out there. The print edition is a whopping 540 pages! I just came to the conclusion that no traditional publisher was going to touch the work because I am so new, so untested in the market place.
And ultimately, I knew I wouldn’t compromise too much on the work as it is. I’ve edited the hell out of it, shaving close to 60K words from the original version and it is still a large book. But others have previewed it and said they can’t think of a single thing to cut/edit. Everything in it is relevant to Elliot’s voice and the story he has to tell.
And it is Elliot’s voice in this book that I must honor! <— (You’ve no idea how much I need to defend that last line.)
Elliot and Marco’s story is a deeply personal one. It was one of the fastest works I’ve written (just over several months). Yet the torture I put myself through on whether or not to release it was mind-numbingly overwhelming at times. I knew it was edited and is a very clean manuscript.
But it has so many things that several people who’ve been self-pubbing told me were no-no’s: it ends on a cliff-hanger. It isn’t a M/M romance genre read. It doesn’t fit the mold even though it is one of the strongest stories about two men loving one another with all the trials, tribulations and utter euphoria of first (and in their case) lasting love that I believe is out there.
Will it ever find a readership (the one I know it deserves)? Who knows? I know that my debating it has got to stop because that is what will ultimately kill it before it has a chance to fly. Elliot must see the light for himself now. My boys must fly.
On the wings of Angels …
So without any more waffling – I give you the print cover release as it stands right now with CreateSpace (Amazon). I hope to release it late this month or early in April. Fingers crossed. The work might cost a small fortune in printed form. So yeah, there’s that to consider. I just don’t want to compromise what my boys have to say. It is what it is.