It shouldn’t exist. I never intended it to exist, yet, there it is.
What am I babbling about now? My next release – Angels of Mercy – Phoenix in the Fire (due March 2016).
The book ostensibly is a work of fiction in and of itself. Its evolution was predicated on a mistake. I’ve blogged a bit about it before. But here it is, in all it’s behemoth glory:
Clocking in at roughly 639 pages, and 218K words it’s an opus of a book that shouldn’t exist. But you know what? I’m rather pleased with it.
As I’ve stated many times before and on the podcast, I’m all about the headspace and how perceptions rule our world but we seldom give them credence and understand the prominence they have in our lives. Phoenix doest that, and I think it does it very well.
Angels, at it’s core, is really about dealing with the physical and emotional fallout from a heinous act of homophobic proportions and how the victim in it decides not to fold but rather rise from the ashes of that terrible beatdown. But in his evolving and climbing out from that hell hole the boys who beat him put him in, there are voices in his head that do their level best to protect him and try and guide him. He is comforted by that inner-gayboy voice that has always been there for him – warning him, throwing up red flags and cautionary flares whenever that inner-gayboy perceived a threat in Elliot’s world. It had served him well for most of his young gayboy life, but ultimately that voice failed him when he most needed it. Something had to change for him to evolve.
Elliot makes mistakes as he emerges, in this he learns to find a steely core in himself (personified by a new internal voice he calls Bitchboi). I use these competing voices (gayboy and Bitchboi) to demonstrate that evolution. What Elliot learns is that it isn’t just one voice over the other, but rather a learned and intentional concert of those two voices that enable Elliot to truly soar above his beatdown.
Elliot also surprised me as a character. I mean, I know his arc, I know what he’s made of – he is my invention after all – but he still found ways to take me on a journey as his creator. In that way, he came to life even more than I ever dreamed he would. I loved his new levels of vulnerability and how he learned to turn those feelings of inadequacy into defensive mechanisms that helped him cope with not only his rising from his attack, but how to turn the tables on those who became new threats to his already fragile world.
This book truly lives up to its name – it has risen in my estimation and in my love for the work. A simple mistake of my husband nudging me (erroneously) to redo Volume 2 in Elliot’s voice (instead of the planned POV of his boyfriend, Marco) and I have been completely been blown away by what came out of that. It was a book that, when I realized the mistake of writing it in Elliot’s voice, was doomed for the digital fire as a scrapped piece of prose. It was my husband who saved it – ironic, isn’t it? He said:
Why don’t you just release it as a companion book to Marco’s?
At first I didn’t see the brilliance or the possibilities that it would present. But now I do. Now I couldn’t be happier with this mistake of a novel. I only hope my readers do.
It isn’t a proper Angels novel. It isn’t a planned part of the Angels canon but it WORKS!
I couldn’t be happier.
Here’s hoping my readers agree with that assessment.
Until next time …
– SA C
I’m a poker. Have been most of my life – probably since childhood. It starts because something catches my interest. I’m like a crow in that way. I bumble along completely thinking of something else or another and then – WHAM! – something catches my eye. Like that crow, I stop everything and become consumed with …
“Oooh, look! It’s shiny!”
I can’t help it. It is what it is. I know this about myself so I’ve learned to adapt, to roll with it. It’s just how I, er, roll … (rolling eyes at that one).
So what’s caught my eye this time? One of my book covers for Angels of Mercy. And here’s the thing: everyone gets all goose pimply on social media (and by everyone, I mean authors, book cover artists and yes, even the readers) and they lose their shit over a cover reveal.
I’m just not getting that. Yeah, it’s cool to see what the cover looks like. I get that. But I am not one to sit in total anticipation for the big shiny (crow-like) reveal of some book. You can tell me a year before the book’s release and my reaction would be the same. I’d marvel at it and move on. It would either intrigue me to read the blurb or not.
Insert shrugging shoulders here.
But as a content creator, I think of them as two wholly exclusive things. One doesn’t negate the other’s importance. And they don’t have to go hand-in-hand. Maybe I’m not seeing it correctly.
But as a cover artist (of which I used to do promotional work for the performing arts community for many years), I have to be inspired to create, do the creating and then toss it out there and see what happens. In that, it is just like my writings – I am doing it for the art of creation. If others find it of interest, cool beans. But that’s not why I am doing it to begin with. Not even close.
I suppose it has to do with my background in live theater (musicals, operettas, operas, etc). That is probably why I think about them the way I do. They may not be interchangeable to others – exclusive of one another but oddly related – but it’s just how my brain works, so I go with it – applying art and craft and allowing it to evolve, whatever it may be.
So what am I babbling about this time?
The cover to my next release: Angels of Mercy – Phoenix In The Fire (I’ll walk through it below). It’s gone through some strange permutations over the months. For starters, it’s for a book that shouldn’t exist. I never planned to write it. That was my husband’s doing. I was just about to get cracking on the final edits of Angels of Mercy – Volume Two: Marco (as shown above), and as I was leaving for my Clark Kent day gig, my husband murmurs to me from the bed (he gets to have a sleep in as he’s retired now – but no rest for the weary me) and said:
“Why don’t you have Volume Two told by Elliot instead of Marco? I think it would make for a better point of view for the next part of the series. You are writing Marco’s backstory, so why not keep Angels proper in Elliot’s voice?”
It was a worthy comment. It stopped everything I did. I drove to work gutted that my 750+ page second volume would now be shelved. He didn’t tell me to shelve it, but the implication was: I don’t think Marco is serving the greater arc here.
So in late August (of 2015) – weeks away from it’s promoted release, I shelved Marco and completely re-wrote the work in Elliot’s POV. I got 3/4 of the way through Elliot’s take in the intervening weeks and realized WHY Marco had to tell this part of the story. So I went back to the hubster and informed him that Marco’s v2 was back on track and that we needed to get it out the door.
On November 30th, with long editing sessions over the Thanksgiving day holiday, it was finally released. The cover of which you see above. I am very happy with it. Those that have read it thus far all seem to think it’s a great addition to the Angels stable of books. I always sort of knew Marco’s book was going to be the biggest part of the Angels series. He just has the most to tell. It was always going to be that way.
So then, after it’s release, my husband said –
“Why don’t you release Elliot’s book anyway as a companion book?”
There was some merit to it. These books are perception plays. They are character studies in what is their perceived truth and how do they move through their world with that truth – only to discover that they may not have it right and have to struggle with that new information. The books serve and explore a specific purpose. That’s why they are not romance reads even though at it’s core they have a very strong romance threaded through them.
So what to do with Elliot’s POV work of the same timeline as V2? I polled my betas and they seem to like the idea that knowing what Elliot has going on in his noggin might be an interesting take in relation to what his boyfriend (Marco) might be thinking during Elliot’s recuperation from the homophobic beatdown at the hands of Marco’s football teammates.
Okay, that was big spoiler from V1 – sorry.
So here’s where the poking comes in and reason for this blog entry. I had to create a cover for it. But it’s not a proper Angels book. It’s a companion book to the second volume. So from a design perspective, I thought I could deviate from the football theme I’ve had running in the main series of the books. Thematically, they are about the effects of homophobia in competitive sports – in this case, American high school football – thus, the footballer on most of the works. But for Phoenix I needed something that was wholly Elliot (even V1 has an image of Marco on the cover though it’s told from Elliot’s POV). I had to do something different to make the companion book stand out.
So here was the first stab at it:
The title and the image comes from a passage in the book where Marco commissioned a piece of art from his boyfriend’s favorite artist to create an original work that featured Elliot in it. He said he wanted it to represent Elliot’s being a Phoenix In The Fire (apologies to Troye Sivan – as I borrowed a line from his song “Bite” for it). I wanted it to evoke a mystical element to it, playing on Angels and the Phoenix mythos. It received mixed comments. It wasn’t wholly right for what I wanted either. But it was something.
As I was writing Elliot’s Phoenix I came up with another burst of creativity and decided to try something else. How about a more painterly fairy fable look? Sidebar: the book has none of this in it so this one was doomed from the start. But I was in a poking, creative mood so off I went on this artistic tangent. It happens – part crow, remember?
And I ended up with this:
It was fun to create, but I knew it wasn’t right. I polled friends on Facebook and they were fairly clear that it didn’t work for the work at hand. I thought so too, but I had fun creating it. As a rule I never throw ANYTHING creative away.
But the next attempt was closer to where it needed to go – though it still wasn’t quite right either.
I wanted fire to be a strong element in the cover art. So I played around with a great Photoshop action to solve this dilemma. It seemed to work. My betas all said it was a better take on it. So it has lingered since mid-December in this form – until this past weekend.
When the twitch of my artistic finger became too much to ignore and I became inspired to poke at it again.
Now I think I have it. This is what I had roiling around in my head back then (admittedly, it’s a bit over the top, but it does evoke the climb out of the physical hell Elliot’s beatdown put him in). Fire is ever present this time around. Which is exactly what I want to convey. Plus, I think the cover will stand out amongst all the bare torsoed men that are plastered all over M/M books. Insert SERIOUSLY rolling eyes on that topic alone.
So here’s the final, FINAL, version of Angels of Mercy – Phoenix In The Fire (to be released Mid-to-Late-February of this year):
I’m good with that.
Until next time …
I know it’s been a helluva long time since I’ve posted. It hasn’t been for not wanting to. I’ve had LOTS to say on stuff. Some of which I did on other blogs or via the podcast. But I’ve also been massively busy trying to get the next book in my series out the door. Well, it’s done. And he’s a WHOPPER of a tale!
Clocking in at just over 265K words (approx 741 pages), it is finally put to rest and is out in the universe now. I always knew Marco’s part of the tale was going to be this big. There were no two ways about it (as he’d say).
For those who haven’t been following along, suffice to say this series is a set of character studies that deep dive into the mindsets of three men’s lives over the course of a violent hate crime born out of homophobia that is still rampant within competitive sports (in this case, the fictional high school varsity football team – The Mercy High Avenging Angels).
The first volume dealt with two boys who during the summer between their junior and senior high school years come together. Two boys who couldn’t be more opposite if they tried. The first volume is told from the shy, and sticking to the shadows, Elliot Donahey. An artsy geeky boy consumed with doing everything he can not to be noticed in a world that keeps saying to him that he doesn’t belong. Only his plans for obscurity in his senior year are completely blown off the rails by the highest profile jock on campus, Mercy High’s star quarterback, Marco Sforza. Elliot’s take brings the reader along on their burgeoning heady romance filled with all the drama a coupling like that can bring. They just do everything they can to remain rooted in one another, holding each other close and whispering how their love will last through the ages. This, despite how many people are circling around them at school that are hell bent on keeping them apart.
Volume Two picks up where the climatic cliff hanger of volume one leaves off.
Angels of Mercy – Volume Two: Marco, picks up the same day as the climax of Volume One, only told from Marco Sforza’s (Elliot’s boyfriend) point of view. This is a character study series where each man in the tale takes the reader on an introspective journey of coming to grips with the horrors of homophobia in competitive sports and the consequences when those scenarios become violent. Part two of a three part series.
“Elliot Donahey is the love of my life.”
Those words become a lightning rod for Marco Sforza, the man who seemed to have it all – looks, intelligence, charm, money, a certain degree of local fame as the star quarterback of Mercy High. But when his teammates beat his boyfriend to the brink of death, Marco will have to learn what “standing by your man” truly means.
How will these boys cope with Elliot’s recuperation as well as find a way to bring justice for the heinous crime committed against him? Deception, lies and intrigue begin to thread their way into the boys’ lives as they struggle to just hold onto one another. All is not quite what it seems as we reach yet another climatic ending that will turn their whole world upside-down. The hate crime Elliot suffered was just the beginning of their woes. Is Marco and Elliot’s love for one another strong enough to see them through?
Read Angels of Mercy – Volume Two: Marco to find out.
Available now from the following locations:
The SA COLLINS ESTORE – where you can even buy a PERSONALIZED autograph ebook edition (sample graphic available from the e-store site)
Please check out them out!
Also, a BIG thanks to my musical muses for Angels – Jay Brannan, Steve Grand and Adam Ray! These amazing musicians are worth seeking out. I am so happy that they give me the added inspiration as I write these massive books of the series!
Sorry there haven’t been any recent posts. I’ve been busy with Angels of Mercy Vol 2 and Quarrel of Sparrows and something else I am really excited about.
Along with author pals Vance Bastian and Jayne Lockwood on a slightly audacious endeavor – we’ve put together a M/M podcast where authors (and their readers) roundtable topics, the art of the craft, and the worlds we create. It is intended to be a forum for authors from across the multiple sub-genres who want to discuss their works from the author’s perspective that they may not have much in the way of opportunity to do. Interviews are often limiting, and the range of what can be discussed is usually fairly focused.
This isn’t that type of podcast.
Authors will grouse. Authors will praise or rant about others in the field or works that were an absolute struggle to get out into the world.
And we’re not limiting it to authors alone.
READERS! You too, can be part of the conversation. The intent is to foster and engender that sort of discussion not only amongst ourselves as authors, but also with the readers who buy our works. We invite this sort of discussion across the table between the two parts of producing and consuming the works.
Episode one will be out shortly (within the week if we can swing it – the ep is recorded and edited – it’s just up to distribution to get it out there).
You can find us on the web at 3mmusketeerspodcast.
Our Twitter account is – @3mmusketeers
You can email us at email@example.com
Please join us for the release – (to be updated when we have a firm date this week).
AllRomance/OmniLit (Best Seller Status)
On the cusp of his senior year at Mercy High, Elliot Donahey, an out but terminally shy gay young man who keeps to the shadows – never wanting to be seen or noticed – suddenly finds himself in the arms of the highest profile jock on campus, local star quarterback, Marco Sforza. Their lives, and those closest to them will never be the same.
Set against the backdrop of competitive sports, this character study work deep dives into the lives of these young men who each must “play the game” so Marco can continue to play the game he loves. They are just trying to find some small slice of happiness to call their own amidst their hellish final year of high school.
Author’s Note: Angels of Mercy is first and foremost, a character study. A great deal of it is inner-monologue. Elliot will pause the action, will break momentum as he grapples with his world – all the while flipping a finger to the fourth wall. He knows you’re there. It was far more important to me as its author (and a gay man) that the reader come away with the whys of Elliot’s choices in how he navigates his often tumultuous world. The same can be said of Marco (his jock boyfriend) who will pick up the tale with Volume Two (due summer of 2015).
I’ve read much queer literature and what I find rather interesting is that for the majority of it, very little is written about the character’s headspace. When you live in a world where you constantly have to be vigilant as you navigate through, it can make for some very powerful storytelling. That is my goal in writing these boys’ lives. I want the reader who may not be queer themselves to come away with what it might be like to be in a gayboy’s shoes – constantly polling and pulse-checking your world because your very survival depends upon it. All of that while you hope, you secretly pray, that you’ll find someone who will see you too and find they can’t live without you in their world. A small slice of happiness to call your own. And though you do everything to keep to yourself, you may still run into those who find your very existence threatens who they are and how they think the world should run. I pull no punches with this work. They are hormonally charged eighteen year old young men who are sexually active. While the sex is present in the work it is not gratuitous in that the main character does evolve from his physical intimacy with his high-profile boyfriend. It is not a genre romance read either, though it has a very strong romance threaded in the work. These elements bring a light to their world that attracts all the wrong attention.
In a time where more queer youth are coming out to their teammates and their loved ones, I find that work of this nature is both timely and necessary to tell. I hope you’ll find it as interesting and provocative a read as I believe it is.
A BIG THANK YOU to Jay Brannan who was my musical muse for the project. Rob Me Blind is such a truly brilliant album and I couldn’t have my boys as deeply and emotively rooted were it not for this musical inspiration that came from the brilliant and talented bard of Jay Brannan. Please do search him out on the web and on iTunes. You will NOT be sorry you did!