That Oppressive Script … How Angels of Mercy Changed My Queer Boy Perspective on Sports
(Reprint from Rainbow Gold Reads Review)
Jocks have it hard.
They’ve got a lot to live up to as they pursue their passion in their chosen sport. This isn’t an easy thing to acknowledge on my part. I was one of those artistic queer kids that jocks loved to bag on. So why the change up in opinion?
Simple: I wrote Angels of Mercy.
When Angels presented itself (fully formed to the bitter end, mind you), I thought “Eh, I’ll bang this one out in a month.” I had the ending in my head already. I just had to write to that ending, right? Yeah, not so much it seems.
Here’s what I learned: you see, my main protagonist, Marco Sforza, is built upon my husband’s experiences playing football both at the high school level at Massillon, Ohio (the heart of high school American Football as we know it) and for Clemson U back in the day (admittedly a very different era than Marco’s present day story). So given the disparity in my husband’s and Marco’s timelines, I had to make some adjustments between my husband’s experiences and those that I was building for Marco. But what amazed me is that, at its core, very little has changed with regards to the institutionalization of homophobia within American football – be it, high school, college or pro.
We like to think “It gets better …” but in reality, has it? There are emerging stories about players in high school and college football that have appeared in OutSports where the players have come out to their teammates. In the cases that have been reported the response has been rather positive. Yet, we only have to bring up what happened to Michael Sam to understand that very little has changed with regard to players who hope to play openly and valued for their sportsmanship and not for who they love.
Angels taught me a lot. Not just about my characters and their road to happiness, but also because as I explored Marco’s having to follow that “jock script” all boys are indoctrinated to follow (bag the girl and draw some blood out on the field) Marco goes through some fairly difficult moments in his teenage life. In his desire to play ball and be one of the guys, he’s opened himself up to a major downfall that he can’t see coming – mostly because of the pressure to perform both on and off the field. That pressure is enormous. Yet, there’s a boy that has captured Marco’s attention in a way that no one, boy or girl, ever has. He finds himself on an emotional pendulum – swinging wildly from the life everyone else thinks he should have (girlfriends or friends with bennies, followed by marriage and rugrats), and the life he wants for himself wrapped up in a boy who requires darkness and shadows to survive another hellish day of high school.
It’s a ride my own husband had to play.
Simply put, hiding hurts everyone involved. No one ultimately benefits from that arrangement, despite how much comfort it may bring teammates in thinking that everything is cool, the dude is solid, a man’s man. Marco’s journey changed long held positions and baggage I carried from jocks that tormented me in my own past. I began to understand the pressures boys like Marco – who hide from themselves just to play the game they love to play – are under. But I didn’t want that discussion in my works to be so one-sided.
My granddaughter is queer and I spend a great deal of time with her and her friends. Queerdom is a very different monster with her crew. Just the fact that they embrace the word “queer” has changed my perspective on a word that used to torment me. So I realized that while things may not have totally changed, I also remembered the stories posted in OutSports of players who have experienced support from within their team. So while there is a clique within the team from Mercy High in my stories, I also balanced it with boys who really wouldn’t care if Marco was with a boy. I needed to show that line that things are changing. Maybe not at lightening speeds, but change is coming.
I am not kidding myself in thinking it will change in college or pro-ball in the next five, ten or fifteen years. That may be a long time in coming, but come it will.
With the release of Angels of Mercy – Diary of a Quarterback Part I: King of Imperfections and Angels of Mercy – Diary of a Quarterback Part II: Prince of Mistakes, I wanted to explore Marco’s journey. To be honest, while I started the main Angels of Mercy series from Marco’s boyfriend Elliot’s point of view, the story was really Marco’s to tell. He gets the lion’s share of the series (three books out of the six total).
I am thankful that Marco exists. He’s made me understand my husband’s past so much more. And I am far more sympathetic to athletes who take that courageous step to emerge and live a life out and proud. Their stories will always hold my interest.
I often wonder what I would say to my younger tortured teenboy self that would give my younger self context to understand what those boys go through. Don’t know if it would’ve made a difference or not, but I am glad I’ve grown enough as a writer and a queer man to give them a bit more of a pass and a modicum of understanding that many of them may not feel free enough to live openly and use oppression to express their frustration.
That’s what Angels ultimately explores. Here’s hoping that the trend toward acceptance keeps moving in a positive direction. I look forward to the day when it simply won’t matter.
Until next time …
SA Collins Store (support the author directly)
Mmmmkay. Guess this just sort of happened. So the folks over at Queer SciFi on Facebook decided to have another go with their flash fiction anthology. It was something I’d never tried. Flash fic and short stories represent somewhat of a dilemma for me. You see, it’s writing so, as a writer, there’s the draw. I love stories, plain and simple.
But short stories have never really been my thing. Being highly inquisitive from an early age, I’ve always wanted more. Probably why I consider myself the James Mitchner of Queer Lit Fic. My books are tomes – in the literal sense. All of them, with the exception of a single novella I wrote for a friend, are over 500 pages long. I write about headspace and perceptions – which I find to be a very fertile playground from which to write. So when the folks over at QSF announced a flash fic contest I don’t know why I became intrigued. For the most part short stories and it’s smaller brother, the flash fic piece, aren’t my cup of tea. So why’d I do it?
Perhaps it was so I could see if I could? I don’t know. My compulsory inquisitive nature, perhaps? Ma-a-a-a-ybe. Perhaps it just hit me in one of my rare “oh, what the fuck” moods. That must be it.
Regardless, I decided to take the plunge into leaner waters. But what to write? The anthology/contest gave only the theme of flight. Somehow I needed to incorporate the essence, if not literally, of flight.
I didn’t have anything to pound away on. Then a thought occurred to me. Why not use this contest as a writing exercise to play with a theme in a future SciFi work of mine? There’d been an element that I knew was a prominent thread in my story but I’d never actually written it down. But in 300 words? Are ya fucking kidding me?
But then I saw it as a challenge. “Okay, bucko,” (yeah, sometimes I use antiquated slang phrases to address myself) so I metaphorically stared myself down and said, “… let’s see whatcha got, kid.”
So the story deals with Mohawk Indians, amongst the other nations of the Six Nations confederacy, who are the super heroes of my tale. Not many know a lot about Iroquoian/Haudenusaunee history. Though we’ve been the most influential in US history. Jefferson, Franklin and Adams were very serious Iroquoian buffs. They steeped themselves in our form of governance to help shape America’s. Bundle of arrows in the eagle’s grasp on the back of the dollar bill? That’s us. The large wooden staff carried in on joint sessions of Congress? That’s us, too. Even the phrase, “We the People…” Yup, the same phrase that was in our Great Law of Peace hundreds of years before Jefferson penned it. But I digress.
Writing this was more than a challenge. I was writing a very important plot element to a series of books that mean the world to me. They are my attempt at my own Lord of the Rings. They are epic sweeping SciFi that first appears as pure fantasy only to sort itself within the series that it’s really Quantum Mechanics in play – not magic. I am quite literally taking Arthur C. Clarke’s quote to heart. Anyway, so there I was, trying to put something together, a scene if you will, to show how a hero (one of many) in my story – think Star Wars Jedi vs. Dark Side Darth’s – where the hero is converted to a villain. At one point in their collective past, my heroes were culled and changed through rather nefarious means into an army of bad guys – very much against their will. A raping as much as a culling. The process can only happen at the moment of death. It’s a very tricky thing to pull off.
So I plotted quickly to tell a small vignette – a slice of one such hero being culled from her Guardian brethren, into the world of the Flintlings (my bad guys). So I had Mohawk peeps, a death, the transference of my hero at the time of her bloody death, the raping of her soul and the enslaving of it for the Flintlings nefarious purposes, and I had to do it in 300 words. Oy! The scene may never appear in the actual story at all. It was the first time I’d transcribed it from what I had in my head the whole time I’d been penning the other parts of the book. I used characters that don’t appear in the works at all. Just something I dreamt up on the spot to get it all down. Well, not all down … I’d need more words for that. But as a framework it sort of worked.
Somehow I managed it. My little exercise completed I sent it into the contest, not really thinking anything would come of it. To be honest, I thought they’d reject it outright. “What the bloody fuck is this?” I imagined. It was my first ever flash fic. But somehow, and I can’t say why, it was accepted and they included it in their anthology. So now I’m a hybrid author. Who bloody knew?
My story Transcendent, appears in the Paranormal segment of the book. Not sure what qualified it for that categorization as it doesn’t have a paranormal element in the story because it’s definitely tech, but I’m happy it’s there anyway.
There are some marvelous pieces in the book. And they’re quick reads, for like when you’re in the doctor’s office waiting room. You can easily skim several of them while the nurses and medical office people occupy their time with who knows what while you sit there, having arrived way before your appointed time, and they don’t seem to bother with you until like ten or fifteen minutes past your appointed time. Okay, that came out like I have a bone to pick with medical staff, doesn’t it? Anyway, the book is seriously great for times like that. Or while your kid is wrapping up Lacrosse practice and you’re sitting in the car trying to keep cool on a hot day. Yeah, like that, too. You can easily knock out ten or twelve of them in one sitting.
Oh, sidebar note: I worked a small bit of Mohawk humor into it. We natives like to do that – smoke signal ourselves. But I’ll let you in on the small joke: The names I use for my lesbian characters actually have a funny sort of Mohawk in-joke. The Guardian woman who is dying – her name means “hunter/gatherer of fruit” and her wife’s name that I mention in the story means “low hanging fruit” – I couldn’t resist. It’s in our genes. We like to tease each other that way. Not that I think there’ll be a plethora of Mohawk readers of this book. But if there are, they’ll get the sexual innuendo reference. Oughta give them a small smirk or snort for their efforts.
So yeah, pick this baby up. Despite my usual pasadena attitude with regards to short stories and flash fic pieces, I found myself immersed in them nonetheless. Maybe I’m evolving now that I’ve written one? Nah, can’t be. I’d have to turn in my Mitchner fanboy card then. #NothingDoin.
Until next time …
– SA C
A 300-word story should be easy, right? Many of our entrants say it’s the hardest thing they’ve ever written.
Queer Sci Fi’s Annual Flash Fiction Contest challenges authors to write a complete LGBTQ speculative fiction micro-story on a specific theme. “Flight” leaves much for the authors to interpret—winged creatures, flight and space vehicles, or fleeing from dire circumstances.
Some astonishing stories were submitted—from horrific, bloodcurdling pieces to sweet, contemplative ones—and all LGBTQ speculative fiction. The stories in this anthology include AI’s and angels, winged lions and wayward aliens. Smart, snappy slice of life pieces written for entertainment or for social commentary. Join us for brief and often surprising trips into 110 speculative fiction authors’ minds.
The book us available in eBook form (4.99), and will soon be available in paperback with b/w illustrations inside (12.99) and in a special collector’s edition with color illustrations (24.99).
Excerpt – From Transcendent by SA Collins –
Blood burst from my lips. Too much blood. Painfully, I tried to roll over; some small part of me accepted the honor of fighting hard and losing the battle. Tonight, I die with dignity.
Instinctively, I pulled upon the Dark. Feeble threads coursed through me, far too little to correct what lie beyond repair. I felt the enemy’s gaze upon me. I wished he would just finish the job.
My fingers pressed into the earth, sodden with my blood and the waters of the river. I coughed. I pulled myself, painfully, along the water’s edge. To where though, I knew not. Odd that, in the end, I thought not of myself but of Wahyawekon, my beloved wife. Inwardly, I wept.
A hand pulled hard upon my blood-soaked hair, turning me over to face him. A malevolent glee colored his face — his victory complete.
I felt my life slipping, like the slip of a fish when you think you have it in your hands. One last breath, coppery and wet, filled my mouth and lungs.
“Karhakonha, you fought well,” he said in Mohawk. “Your new life awaits.” …
(for more you’ll have to pick up the book … *snort)
PLEASE NOTE: This post assumes you have a general knowledge (or wish to gain said knowledge) of how Adobe Photoshop functions and makes no attempt to walk you through that process. There are numerous online tutorials (both written/blog versions as well as video examples) that can easily instruct on the basics of Photoshop.
Okay, this one I have to start out by saying I owe a certain photographer out there a book cover tutorial. He already knows the final product. I’ve shown him that much. But what I’ve struggled with is how to document my creative choices AND not permit anyone to steal his photography artwork in the process (he was kind enough to loan me one for the tutorial I proposed to him). So, here’s the lowdown on that little scenario:
I can’t sort out how to make the image non-downloadable. The issue is I know code to make it do that but the upkeep would be a nightmare because the tech keeps changing and thus at some point it would break and his image would be out there for free! I can’t risk that. So Paul, I did come up with a method of protecting your work BUT I also have never attempted to do what I am going to do so bear with me while I work out the kinks. It’s going to be my first screen cap narrated video! All these years involved in tech and filmmaking and I’ve never done one – I find that truly shocking. But there’s no way to lift a clean copy of the image from that and I won’t worry that tech has progressed enough to crack and allow stealing of Paul’s original image. In the interim – I do hope if you are ever in need of a licensed photo for your book cover, seek out Paul Henry Serres Photography … he’s an amazing artist/photographer and such a lovely man to interact with!
Basically I go from this:
Onward to this post in the meantime!
So for Angels of Mercy – Phoenix in the Fire, I needed to come up with the print edition. If you recall, I struggled even to come up with the front cover to begin with. I knew I was going to break from the football theme that had been consistent with the Angels proper series (Phoenix is a companion book and not part of the main series works). If you haven’t seen the evolution of that ebook cover you can find it here.
So the print editions always make me a bit queasy from a design aspect. I mean, I goof around enough with the front cover to get something that looks right. Now to spread that across a full print cover – uh, in a word – YIKES!
But tackle it I must.
So the first stab at it had me thinking since this book was not a proper Angels series book, more of a companion novel, that I could finally depart from the football theme I had going in the Angels proper part of their world. Also, since this book was narrated by Elliot I thought I should sort of mirror what I did for the Angels V1 book – use some artwork that I would create for Elliot and put it on the back cover.
So, with that in mind I toyed around and around until I came up with this little ditty:
While the idea of using another piece of Elliot’s artwork as a way of tying it back to the first book he narrated, the violence he had to claw his way back from didn’t come across in this version. Even with the fire and blood splatters, it just wasn’t where I needed to go with it. People liked it well enough, even I did, to a point. But it seemed I was settling in drafting it. I could do better to represent the story plot line.
So I let it percolate a bit, stewing in its own unsettled sauce, as it were. Then I became inspired – why not go with Elliot being shown as rising (sort of the next step from the front cover of the book – only this time more fully formed and capable – it is what happens in the work) from his adversity? So I decided to start combing the stock photos out there, searching for a teen-ish looking boy that I could put up for Elliot (who also had to fit the way I’d always envisioned him). My budget for this cover wasn’t substantial, so I had to stick to stock photo sites I already had subscriptions to … which can be limiting at times. This time though, it paid off.
Here is the original image I started with (I purchased the license for the actual work – just showing the comp for the purposes of this post).
Two things were against me in starting with this – 1) the background setting and 2) the lighting. Both of which could be addressed but it was a consideration going in.
I also needed angel’s wings … to keep with the phoenix/angel motif I had from the front cover.
And believe it or not, there is actually a background in the final product – though, what I did to the whole piece did sort of obscure most of it. Ah well, the price of art, I suppose.
With my pieces in hand I began to work. The first thing I started off was the composition of elements to see if what I wanted to do would work. After I hastily placed items I twitter messaged my go to for all things Angels and asked him what he thought. He gave me the thumbs up on my little mock up:
It was a start. But I needed to start mucking around a bit to get it closer to both the theme of rising from your own ashes to something greater AND keep to the color spectrum of the original ebook cover.
First up – I needed some action! Photoshop actions, to be precise.
Of course, this begs the obvious that you have to have Photoshop to begin with to attempt to do what I show here in this post. So for those that don’t – might I suggest that if you are a self-pubber wanting to save a bit of cash over time (won’t be an immediate savings) that you subscribe to Adobe Creative Cloud (TODAY) and start to dive in and sort it. It’s not all that hard to do. Yes, it will take you away from writing, but if you want to be in control of your creative destiny by self-publishing, then this too, is part of your craft/business. If you can gain these skills and add them to your talent coffers, just think of the money you’ll save on designs for swag, promotional banners/ads/bookmarks and the like? Design once, distribute multiple times (be sure to understand your licensing of the graphics before you do … a very important point I can’t stress enough). You don’t have to have a big time eye for art … look at what attracts you and mimic it for a bit (not using it for commercial purposes, but more to hone your creative eye for placement, typography, and marketing). Learn from those that seem to work and gain your interest – start to cultivate a discerning eye on why it works for you. Then go and make the attempt yourself. Use comp images for that – the intent is not to publish but to perfect your design capabilities. With the subscription price of Creative Cloud at various levels, there is a path to get Photoshop on your desktop fairly easily.
So, enough of my – hone your craft – speech, back to the book cover:
With my photoshop actions tucked into my design arsenal I began to work on the individual parts to bring the whole book cover together.
First up I had to address the male model and the background I didn’t need. Easy enough – using the quick select and magic wand tools I quickly selected him and cut and pasted to a new layer in a new doc (or you can place him in a new doc on a new layer – your choice). After putting him on his own layer I went back to the background layer and filled it with a solid color. To properly begin to compile you need to isolate all of your separate images to solo pieces that you can begin to manipulate into your composite artwork. One word about cutting the model out of a background – sometimes precision is required so that every stray (unwanted) pixel needs to be cleaned up before you can proceed to compositing your final image. In my case I knew I was going to throw a helluva lot of graphical elements and adjustments to it do precision on cropping him out of the original background wasn’t so essential. The actions I’d be applying would more than likely obliterate any odd pixel hanging out there that I didn’t have to be so precise this time around.
In this revision, I also had to find a way to use the Mercy High Avenging Angels football logo that I wanted to tie this book with the main series (the team logo appears there). Since I discarded the previous artwork from my first draft I decided to repurpose it as a piece of clothing. The male model luckily had a very neutral hoodie on that had absolutely no graphic or artwork of any kind – BINGO! I’m in.
So how do you do that?
DISPLACEMENT MAPS (learn all you can about them – brilliant little nugget that will allow you to modify standard fair stock art into something a bit more unique)!
For a decent tutorial on them I would start here (though googling “Photoshop Tutorial Displacement Maps” brings up a ton of tutorials out there to guide you along. Long story – short, I got the logo placed on my guy and it bent and folded along the warps of the hoodie with no problem. I was quite pleased with the results. To compare look at the image above this section and then scroll back down to note the addition of the football team logo on the hoodie with the lower image.
This was the end result (obviously sans the “SAMPLE” stamp across it):
The wings and desolate background with the cloudy sunset were fine as they were – the only thing I needed to address was to separate the two wings into two separate images that I could manipulate on the final composite image.
Next up – The wings … I wanted them to have a specific shape (other than the form they came in).
The default layout of the wings from my first attempt (two images above) have them outstretched – the way I bought them. But I wanted them to be more in “flight” mode. Thus I needed to distort each wing to give them that sort of look. To do this you have each wing on it’s own layer and then select the wing and choose EDIT –> Transform –> Distort. Then you pull the handles surrounding the selected image to manipulate the wing into what you want it to do. You can alternatively use Skew and Perspective or Warp should Distort not completely satisfy.
Remember with Photoshop you can always roll back to a previous action via the History panel so feel free to experiment. Don’t like the adjustment you just made … simply click the history level one level (or as many as you like) to roll back to a good starting point and go at it another way.
Once the wings were in the position I wanted them in (see below) I duplicated the layers and placed them in the composite image for further manipulation:
I realized I wanted to make them a bit translucent as your eye traveled from the frame bone structure along the top of the wings to the lower extremities.
So I now compiled the separate elements so I could use the first Photoshop action by Seven Styles (footnote: they’re extremely powerful actions that will save you oodles of time, look great, are easily modifiable, and the best part – they’re super inexpensive!). In this case, I started off using the STORM action from Seven Styles. An example of how it works can be found in the following video tutorial (don’tcha just love his Aussie accent?):
[embedplusvideo height=”255″ width=”400″ editlink=”http://bit.ly/1ttRAUv” standard=”http://www.youtube.com/v/FVOLBDFf5fs?fs=1″ vars=”ytid=FVOLBDFf5fs&width=400&height=255&start=&stop=&rs=w&hd=0&autoplay=0&react=1&chapters=¬es=&lean=1″ id=”ep8434″ /]
After applying that action it turned out like this …
As you can see with the video each of these actions can be altered and modified to suit your needs. With the above action the color scheme started to skew toward matching the front cover. Next up I needed to add the fire and brimstone look to it so I could match the front cover’s fiery theme – the big difference? I wanted the back cover to be more hopeful. The front cover has Elliot soaring out of the fiery hellish hole his boyfriend’s teammates put him in. It’s ragged and meant to be representational of his slog to get out of that hell.
So with the Fire action (see the video below if you want to know more), I finally started to see things come closer to what I wanted – a more hopeful vision but still with the grit and determination to find his way back to the love of his life.
[embedplusvideo height=”255″ width=”400″ editlink=”http://bit.ly/1ttSMan” standard=”http://www.youtube.com/v/QVS8gmcBUk8?fs=1″ vars=”ytid=QVS8gmcBUk8&width=400&height=255&start=&stop=&rs=w&hd=0&autoplay=0&react=1&chapters=¬es=&lean=1″ id=”ep8695″ /]
After running that action my photo now looked like this:
I played around with the various layers and adjustment layers to set the right tone I was looking for, getting it as close to the color and tone of the front cover, and then added the blurb to match the author byline on the cover. And, voila! The work is complete.
Feel free to reach out to me with any questions you might have concerning this by emailing me at email@example.com or by leaving them in the comments below.
Until next time …
It shouldn’t exist. I never intended it to exist, yet, there it is.
What am I babbling about now? My next release – Angels of Mercy – Phoenix in the Fire (due March 2016).
The book ostensibly is a work of fiction in and of itself. Its evolution was predicated on a mistake. I’ve blogged a bit about it before. But here it is, in all it’s behemoth glory:
Clocking in at roughly 639 pages, and 218K words it’s an opus of a book that shouldn’t exist. But you know what? I’m rather pleased with it.
As I’ve stated many times before and on the podcast, I’m all about the headspace and how perceptions rule our world but we seldom give them credence and understand the prominence they have in our lives. Phoenix doest that, and I think it does it very well.
Angels, at it’s core, is really about dealing with the physical and emotional fallout from a heinous act of homophobic proportions and how the victim in it decides not to fold but rather rise from the ashes of that terrible beatdown. But in his evolving and climbing out from that hell hole the boys who beat him put him in, there are voices in his head that do their level best to protect him and try and guide him. He is comforted by that inner-gayboy voice that has always been there for him – warning him, throwing up red flags and cautionary flares whenever that inner-gayboy perceived a threat in Elliot’s world. It had served him well for most of his young gayboy life, but ultimately that voice failed him when he most needed it. Something had to change for him to evolve.
Elliot makes mistakes as he emerges, in this he learns to find a steely core in himself (personified by a new internal voice he calls Bitchboi). I use these competing voices (gayboy and Bitchboi) to demonstrate that evolution. What Elliot learns is that it isn’t just one voice over the other, but rather a learned and intentional concert of those two voices that enable Elliot to truly soar above his beatdown.
Elliot also surprised me as a character. I mean, I know his arc, I know what he’s made of – he is my invention after all – but he still found ways to take me on a journey as his creator. In that way, he came to life even more than I ever dreamed he would. I loved his new levels of vulnerability and how he learned to turn those feelings of inadequacy into defensive mechanisms that helped him cope with not only his rising from his attack, but how to turn the tables on those who became new threats to his already fragile world.
This book truly lives up to its name – it has risen in my estimation and in my love for the work. A simple mistake of my husband nudging me (erroneously) to redo Volume 2 in Elliot’s voice (instead of the planned POV of his boyfriend, Marco) and I have been completely been blown away by what came out of that. It was a book that, when I realized the mistake of writing it in Elliot’s voice, was doomed for the digital fire as a scrapped piece of prose. It was my husband who saved it – ironic, isn’t it? He said:
Why don’t you just release it as a companion book to Marco’s?
At first I didn’t see the brilliance or the possibilities that it would present. But now I do. Now I couldn’t be happier with this mistake of a novel. I only hope my readers do.
It isn’t a proper Angels novel. It isn’t a planned part of the Angels canon but it WORKS!
I couldn’t be happier.
Here’s hoping my readers agree with that assessment.
Until next time …
– SA C
I’m a poker. Have been most of my life – probably since childhood. It starts because something catches my interest. I’m like a crow in that way. I bumble along completely thinking of something else or another and then – WHAM! – something catches my eye. Like that crow, I stop everything and become consumed with …
“Oooh, look! It’s shiny!”
I can’t help it. It is what it is. I know this about myself so I’ve learned to adapt, to roll with it. It’s just how I, er, roll … (rolling eyes at that one).
So what’s caught my eye this time? One of my book covers for Angels of Mercy. And here’s the thing: everyone gets all goose pimply on social media (and by everyone, I mean authors, book cover artists and yes, even the readers) and they lose their shit over a cover reveal.
I’m just not getting that. Yeah, it’s cool to see what the cover looks like. I get that. But I am not one to sit in total anticipation for the big shiny (crow-like) reveal of some book. You can tell me a year before the book’s release and my reaction would be the same. I’d marvel at it and move on. It would either intrigue me to read the blurb or not.
Insert shrugging shoulders here.
But as a content creator, I think of them as two wholly exclusive things. One doesn’t negate the other’s importance. And they don’t have to go hand-in-hand. Maybe I’m not seeing it correctly.
But as a cover artist (of which I used to do promotional work for the performing arts community for many years), I have to be inspired to create, do the creating and then toss it out there and see what happens. In that, it is just like my writings – I am doing it for the art of creation. If others find it of interest, cool beans. But that’s not why I am doing it to begin with. Not even close.
I suppose it has to do with my background in live theater (musicals, operettas, operas, etc). That is probably why I think about them the way I do. They may not be interchangeable to others – exclusive of one another but oddly related – but it’s just how my brain works, so I go with it – applying art and craft and allowing it to evolve, whatever it may be.
So what am I babbling about this time?
The cover to my next release: Angels of Mercy – Phoenix In The Fire (I’ll walk through it below). It’s gone through some strange permutations over the months. For starters, it’s for a book that shouldn’t exist. I never planned to write it. That was my husband’s doing. I was just about to get cracking on the final edits of Angels of Mercy – Volume Two: Marco (as shown above), and as I was leaving for my Clark Kent day gig, my husband murmurs to me from the bed (he gets to have a sleep in as he’s retired now – but no rest for the weary me) and said:
“Why don’t you have Volume Two told by Elliot instead of Marco? I think it would make for a better point of view for the next part of the series. You are writing Marco’s backstory, so why not keep Angels proper in Elliot’s voice?”
It was a worthy comment. It stopped everything I did. I drove to work gutted that my 750+ page second volume would now be shelved. He didn’t tell me to shelve it, but the implication was: I don’t think Marco is serving the greater arc here.
So in late August (of 2015) – weeks away from it’s promoted release, I shelved Marco and completely re-wrote the work in Elliot’s POV. I got 3/4 of the way through Elliot’s take in the intervening weeks and realized WHY Marco had to tell this part of the story. So I went back to the hubster and informed him that Marco’s v2 was back on track and that we needed to get it out the door.
On November 30th, with long editing sessions over the Thanksgiving day holiday, it was finally released. The cover of which you see above. I am very happy with it. Those that have read it thus far all seem to think it’s a great addition to the Angels stable of books. I always sort of knew Marco’s book was going to be the biggest part of the Angels series. He just has the most to tell. It was always going to be that way.
So then, after it’s release, my husband said –
“Why don’t you release Elliot’s book anyway as a companion book?”
There was some merit to it. These books are perception plays. They are character studies in what is their perceived truth and how do they move through their world with that truth – only to discover that they may not have it right and have to struggle with that new information. The books serve and explore a specific purpose. That’s why they are not romance reads even though at it’s core they have a very strong romance threaded through them.
So what to do with Elliot’s POV work of the same timeline as V2? I polled my betas and they seem to like the idea that knowing what Elliot has going on in his noggin might be an interesting take in relation to what his boyfriend (Marco) might be thinking during Elliot’s recuperation from the homophobic beatdown at the hands of Marco’s football teammates.
Okay, that was big spoiler from V1 – sorry.
So here’s where the poking comes in and reason for this blog entry. I had to create a cover for it. But it’s not a proper Angels book. It’s a companion book to the second volume. So from a design perspective, I thought I could deviate from the football theme I’ve had running in the main series of the books. Thematically, they are about the effects of homophobia in competitive sports – in this case, American high school football – thus, the footballer on most of the works. But for Phoenix I needed something that was wholly Elliot (even V1 has an image of Marco on the cover though it’s told from Elliot’s POV). I had to do something different to make the companion book stand out.
So here was the first stab at it:
The title and the image comes from a passage in the book where Marco commissioned a piece of art from his boyfriend’s favorite artist to create an original work that featured Elliot in it. He said he wanted it to represent Elliot’s being a Phoenix In The Fire (apologies to Troye Sivan – as I borrowed a line from his song “Bite” for it). I wanted it to evoke a mystical element to it, playing on Angels and the Phoenix mythos. It received mixed comments. It wasn’t wholly right for what I wanted either. But it was something.
As I was writing Elliot’s Phoenix I came up with another burst of creativity and decided to try something else. How about a more painterly fairy fable look? Sidebar: the book has none of this in it so this one was doomed from the start. But I was in a poking, creative mood so off I went on this artistic tangent. It happens – part crow, remember?
And I ended up with this:
It was fun to create, but I knew it wasn’t right. I polled friends on Facebook and they were fairly clear that it didn’t work for the work at hand. I thought so too, but I had fun creating it. As a rule I never throw ANYTHING creative away.
But the next attempt was closer to where it needed to go – though it still wasn’t quite right either.
I wanted fire to be a strong element in the cover art. So I played around with a great Photoshop action to solve this dilemma. It seemed to work. My betas all said it was a better take on it. So it has lingered since mid-December in this form – until this past weekend.
When the twitch of my artistic finger became too much to ignore and I became inspired to poke at it again.
Now I think I have it. This is what I had roiling around in my head back then (admittedly, it’s a bit over the top, but it does evoke the climb out of the physical hell Elliot’s beatdown put him in). Fire is ever present this time around. Which is exactly what I want to convey. Plus, I think the cover will stand out amongst all the bare torsoed men that are plastered all over M/M books. Insert SERIOUSLY rolling eyes on that topic alone.
So here’s the final, FINAL, version of Angels of Mercy – Phoenix In The Fire (to be released Mid-to-Late-February of this year):
I’m good with that.
Until next time …