Poking and the Art of Evolution
I’m a poker. Have been most of my life – probably since childhood. It starts because something catches my interest. I’m like a crow in that way. I bumble along completely thinking of something else or another and then – WHAM! – something catches my eye. Like that crow, I stop everything and become consumed with …
“Oooh, look! It’s shiny!”
I can’t help it. It is what it is. I know this about myself so I’ve learned to adapt, to roll with it. It’s just how I, er, roll … (rolling eyes at that one).
So what’s caught my eye this time? One of my book covers for Angels of Mercy. And here’s the thing: everyone gets all goose pimply on social media (and by everyone, I mean authors, book cover artists and yes, even the readers) and they lose their shit over a cover reveal.
I’m just not getting that. Yeah, it’s cool to see what the cover looks like. I get that. But I am not one to sit in total anticipation for the big shiny (crow-like) reveal of some book. You can tell me a year before the book’s release and my reaction would be the same. I’d marvel at it and move on. It would either intrigue me to read the blurb or not.
Insert shrugging shoulders here.
But as a content creator, I think of them as two wholly exclusive things. One doesn’t negate the other’s importance. And they don’t have to go hand-in-hand. Maybe I’m not seeing it correctly.
But as a cover artist (of which I used to do promotional work for the performing arts community for many years), I have to be inspired to create, do the creating and then toss it out there and see what happens. In that, it is just like my writings – I am doing it for the art of creation. If others find it of interest, cool beans. But that’s not why I am doing it to begin with. Not even close.
I suppose it has to do with my background in live theater (musicals, operettas, operas, etc). That is probably why I think about them the way I do. They may not be interchangeable to others – exclusive of one another but oddly related – but it’s just how my brain works, so I go with it – applying art and craft and allowing it to evolve, whatever it may be.
So what am I babbling about this time?
The cover to my next release: Angels of Mercy – Phoenix In The Fire (I’ll walk through it below). It’s gone through some strange permutations over the months. For starters, it’s for a book that shouldn’t exist. I never planned to write it. That was my husband’s doing. I was just about to get cracking on the final edits of Angels of Mercy – Volume Two: Marco (as shown above), and as I was leaving for my Clark Kent day gig, my husband murmurs to me from the bed (he gets to have a sleep in as he’s retired now – but no rest for the weary me) and said:
“Why don’t you have Volume Two told by Elliot instead of Marco? I think it would make for a better point of view for the next part of the series. You are writing Marco’s backstory, so why not keep Angels proper in Elliot’s voice?”
It was a worthy comment. It stopped everything I did. I drove to work gutted that my 750+ page second volume would now be shelved. He didn’t tell me to shelve it, but the implication was: I don’t think Marco is serving the greater arc here.
So in late August (of 2015) – weeks away from it’s promoted release, I shelved Marco and completely re-wrote the work in Elliot’s POV. I got 3/4 of the way through Elliot’s take in the intervening weeks and realized WHY Marco had to tell this part of the story. So I went back to the hubster and informed him that Marco’s v2 was back on track and that we needed to get it out the door.
On November 30th, with long editing sessions over the Thanksgiving day holiday, it was finally released. The cover of which you see above. I am very happy with it. Those that have read it thus far all seem to think it’s a great addition to the Angels stable of books. I always sort of knew Marco’s book was going to be the biggest part of the Angels series. He just has the most to tell. It was always going to be that way.
So then, after it’s release, my husband said –
“Why don’t you release Elliot’s book anyway as a companion book?”
There was some merit to it. These books are perception plays. They are character studies in what is their perceived truth and how do they move through their world with that truth – only to discover that they may not have it right and have to struggle with that new information. The books serve and explore a specific purpose. That’s why they are not romance reads even though at it’s core they have a very strong romance threaded through them.
So what to do with Elliot’s POV work of the same timeline as V2? I polled my betas and they seem to like the idea that knowing what Elliot has going on in his noggin might be an interesting take in relation to what his boyfriend (Marco) might be thinking during Elliot’s recuperation from the homophobic beatdown at the hands of Marco’s football teammates.
Okay, that was big spoiler from V1 – sorry.
So here’s where the poking comes in and reason for this blog entry. I had to create a cover for it. But it’s not a proper Angels book. It’s a companion book to the second volume. So from a design perspective, I thought I could deviate from the football theme I’ve had running in the main series of the books. Thematically, they are about the effects of homophobia in competitive sports – in this case, American high school football – thus, the footballer on most of the works. But for Phoenix I needed something that was wholly Elliot (even V1 has an image of Marco on the cover though it’s told from Elliot’s POV). I had to do something different to make the companion book stand out.
So here was the first stab at it:
The title and the image comes from a passage in the book where Marco commissioned a piece of art from his boyfriend’s favorite artist to create an original work that featured Elliot in it. He said he wanted it to represent Elliot’s being a Phoenix In The Fire (apologies to Troye Sivan – as I borrowed a line from his song “Bite” for it). I wanted it to evoke a mystical element to it, playing on Angels and the Phoenix mythos. It received mixed comments. It wasn’t wholly right for what I wanted either. But it was something.
As I was writing Elliot’s Phoenix I came up with another burst of creativity and decided to try something else. How about a more painterly fairy fable look? Sidebar: the book has none of this in it so this one was doomed from the start. But I was in a poking, creative mood so off I went on this artistic tangent. It happens – part crow, remember?
And I ended up with this:
It was fun to create, but I knew it wasn’t right. I polled friends on Facebook and they were fairly clear that it didn’t work for the work at hand. I thought so too, but I had fun creating it. As a rule I never throw ANYTHING creative away.
But the next attempt was closer to where it needed to go – though it still wasn’t quite right either.
I wanted fire to be a strong element in the cover art. So I played around with a great Photoshop action to solve this dilemma. It seemed to work. My betas all said it was a better take on it. So it has lingered since mid-December in this form – until this past weekend.
When the twitch of my artistic finger became too much to ignore and I became inspired to poke at it again.
Now I think I have it. This is what I had roiling around in my head back then (admittedly, it’s a bit over the top, but it does evoke the climb out of the physical hell Elliot’s beatdown put him in). Fire is ever present this time around. Which is exactly what I want to convey. Plus, I think the cover will stand out amongst all the bare torsoed men that are plastered all over M/M books. Insert SERIOUSLY rolling eyes on that topic alone.
So here’s the final, FINAL, version of Angels of Mercy – Phoenix In The Fire (to be released Mid-to-Late-February of this year):
Oooh, look … it’s shiny!
I’m good with that.
Until next time …