I wanna be a Casalinga…
31 Days of Brannan – Day 3
Today’s Playlist – ‘Casalinga’
(“Housewife” in Italia)
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So why the Italian version? Well, being a classically trained opera singer I sing quite a bit in Italian. I just loved that he sang it to an Italian audience in their own language. Such a lovely gesture.
To be honest, I wasn’t so sure what to pick this time around. Not because I ran out of steam about all things Brannan. No where near that – I swear. I can wax on about Jay’s body of work for quite some time and not tire of the subject matter (and I say that will every ounce of ‘non-stalker’ voice I can put to it). Just a very sincere fanboy.
No, I chose this because there is literally so many ways I can take this whole endeavor – my 31 Days of Brannan. You see, Brannan’s work touches on so many elements of a shared journey that as gay men we sort of have to work on making our own way. Not that everyone on the planet doesn’t have to do that to some degree, but for gay men, we have the whole pervasive perception by the straight world that we are swimming upstream – we push against the norm, we are outside the mainstream. Reminders at every turn of how much we are not like everyone else. Yet, we often have to use their terms, their metaphors to explain our world. It can be both challenging as it can be uplifting when we can draw parallels between our commonality with the mainstream world.
My hubby railed about this just today – two beefy looking guys getting married in one of those states that just got the ‘go-ahead’ to git ‘er done. That wasn’t what rattled the hubby’s cage. No, what did was that they were there in their flannel shirts (they looked like lumberjacks – big bear kinda men, but one of them had a typical wedding bouquet of flowers in his hand with long flowing ribbons). This irked my husband in more ways than one. Not because he wouldn’t deny anyone who wanted to do that, but because he felt that it was probably driven by gays having to pick up the definition of what was supposed to take place from their straight counterparts. Why were we defining ourselves by those standards? Aren’t we supposed to be defining it for ourselves? What our marriage equality will truly look like and how we’ll take those elements and make them our own. That’s what he was speaking to, and I got it. I did. But to each his own, I say.
This is a recurring motif throughout Housewife. The duality of wanting those ‘straight’ married bliss concepts but constantly challenging the listener to grapple with why a man would want to be a housewife and that there shouldn’t be anything wrong with it.
Simply put, there isn’t.
Even if the commonplace events Jay speaks of within the piece, mirror the experiences of our straight married counterparts. I just LOVE that Jay does this within his work. The double entendres, the witty bon mots, the dry sense of humor at times. I’ve always thought of him as a modern day bard. I don’t bandy that word around loosely either.
Brannan is a bard. Plain and simple. And I count myself lucky to live at a time when someone like him can come along and do what he does so brilliantly. To revel in the moment – as he creates.
I had the same giddiness back in the late seventies when I heard Donna Summer was gonna release another big selling album. As a gay teen boy I was all about Donna back in the day (withhold judgement as I met her and those horrible rumors about what was attributed to her were completely false – she was a very decent human being). Anyway, the giddy feeling I used to get whenever Donna was gonna drop some new project is EXACTLY what I feel when Jay announces he’s got something on the horizon. Total gay boy freak session for at least an hour – heady, and simply happy that something wonderful is about to come my way.
What I think is bang over the top in Housewife is that it works on so many levels. It holds up the banality of a relationship in a new romantic light (I mean, who really has that romantic gushy feeling about washing dishes – yet in Jay’s vision it is simply rendered and you can’t think of a more beautiful expression of devotion to the man you love. Unless of course, it’s doing his laundry which Jay is more than happy to acknowledge as an option on the table) — that even the most mundane of things have a beauty all on their own. It speaks of hopes and dreams, of sharing meals and a future. Things that I know I pondered myself from the time I could acknowledge my attraction to boys. I wanted those things in my life. Housewife’s greatest accomplishment is the simplicity in it’s threaded revelations of what it means to be in a loving and supportive relationship. One which when he reaches, you’re there. When you falter, he’s there.
The beauty of Brannan’s prose in this is that each element is simplistic and comforting all at the same time. It speaks (to my way of thinking at any rate)
Sure there was the whole sense of adventure in the relationship. That’s always the sexy part – or so you think if you’ve never been in one. What I love about Jay’s take on it is that its the longevity that the song speaks to – how valued those dreams are. Yeah, I definitely had those thoughts. Mostly it was the being close, of breathing him in. The simplest things were held far more magical qualities to them than any of the wildly erotic times. Okay, maybe that was not wholly true. I mean sex was definitely an important part of a new relationship – especially as a young man who sought the affections of another boy.
I wanted so many things in a man that I didn’t feel I had. Things that I admired in other boys (usually of the straight variety). Of course in my day if you were gay it was automatically assumed you were about as fey as they come. I never did fit into that mold, but I wasn’t a football playing hetero-acting stud either. Then again, I never really liked the whole ‘straight-acting’ moniker. Why is it that we have to appear to be anything other than what we are.
I think that this is what is at the emotive core of Housewife. Love that simply is. Love that endures, love to strive and hope for, to dream about and to push toward achieving.
Though I think it is in the simple repeated question of “what’s so wrong with that?” that is one of the most powerful tools within the song. Gently intoning and asking the audience to wrap your head around why making such a simple admission that you would want to take on the role of a Housewife holds no negativity, indeed it is probably one of the greatest gestures of love to find the exuberance in doing laundry, making guacamole or hell, even the desire to have his baby (which in this day and age may not be too far off a prospect).
This is one of the songs that truly gets me misty eyed when I hear it. It has every element of what I feel about my life with my own husband. There is no one else I’d rather wash dishes with or for, no one who I wouldn’t want to wash his clothes. His needs always come before my own. As mine do with him. He’s proven that to me time and again. So yeah, Housewife is a brilliant song, encapsulating and distilling for me all of the things I hold dear in my own relationship with my husband of 20 years. He is my best friend, the love of my life and the life of my love.
Yet it is Jay’s last words of Housewife that haunt me terribly, that never fail to make me a bit teary eyed. Knowing how Jay has commented in various live video performances and youtube postings about how lonely he feels at times, it tears me up that someone who brings such an emotive and creative light to my life via his work hasn’t found some of this for himself. I don’t know Jay. Being a performer of the stage since I was 8 and now coming up on my half-centennial mark, that is a number of years to put on a face and sell yourself to the masses. So I have to concede that I don’t know how much of his life is show and how much is an actual representation. My takeaway is that Jay is incredibly honest (insofar as he is willing to share – which seems to be quite a bit) about some of the intimate details (without being salacious) of his life. If that is the case, then I do hold out the day when he might alter the lines to let his audience know he has someone special and worthy of his love. Maybe even changing those last moments to reflect a change in status.
For someone who gives so much of himself, of sharing what he does with his social media accounts, I would be over the moon if there came a time when he would have what he speaks of in Housewife (if that’s what he truly wants). His work brings such an emotive and rich core into my world – substantiating and giving a creative voice to things I concern myself with, if only to know I’m not crazy, what I want is what Jay seems to echo – what everyone else seems to want.
Love, friendship, devotion – getting as much as you put into it and if you’re lucky, you just might get more than you bargained for. And life is sweet when you do.
The Always, Then & Now Tour…
Sidebar: I bought my Deluxe Package from Jay Brannan’s store for the tour he’s embarking on now. The cost of the deluxe package is $40 and you get quite a bit for it. There are other packages as well. But that isn’t why I did it. I did it because I truly feel indebted to this man of words and music. I am enriched by his musical musings and experiences. I am emboldened to discover that I am not alone in my dreams and fears. And for that I will always support him and do what I can to spread the word.

The deluxe tour package from Jay Brannan’s merchandise store – get this or many other offerings from his site.
Please check out his site with links for his upcoming shows. I am definitely a late comer to the Brannan bandwagon whenever he pulls through my city. But now that I am going this year, I am making it a goal never to miss when he swings through town. I hope you take advantage of the opportunity as well. Also be sure to check out his web store at the following link.
The Half-Boyfriend… we’ve all been there…
31 Days of Brannan… Day 2
Today’s Playlist: Half-Boyfriend
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So here’s the song that crystallized it for me. It made me a bonafide Brannan-ite (?), Jay-Fan (??), I’m gonna need help with that one. There’s gotta be a marketing moniker for Jay’s fans out there – The Jay Babes? I’ll keep thinking on it.
Anywho- Half-Boyfriend.
Yeah, man or woman, we’ve all been there. The guy you can’t possibly believe you’ve hooked up with but he’s hella hot in his own bad boy way, treats you like a second class citizen at times, but damned if he isn’t either great in the sack or will bust your balls with some romantic (and completely unforeseen) gesture that just makes you have one of those ‘well fuck me running’ moments. So you give in yet again, even if your brain keeps screaming behind that thick pane of glass that separates your head from your heart telling you to give him the boot but you just can’t cause he’s one hell of a number and the other guys and gals are all thinking how you so scored with that one.
Am I right?
Now, I can’t say with any certainty that that is what Jay experienced (I mean, I don’t know the man, personally) but the song had enough common truth in it that that’s what I took away from it.
For me his name was Ron. And lord did he fuck up my life for a while. He was the son of a friend that my mom knew back when she was a kid in her old neighborhood. Small world right? I mean the guy’s family moved away when my mom was still young. But somehow fate had a hand in it and Ron turned out to be gay and so did I – what were the chances of that? Say nothing of his finding his way to me?
Stupidly, I took it as a sign. The universe was saying we should be together… (yeah, not so much).
We did a lot of shit that was technically illegal (how we got away with it I’ll never know). I was in my late teens (just outta high school) and just yearning for some man on man love. Ron was energetic, he was built, he was – okay, he was a little quirky when it came to the bedroom (at least at that stage in my life). Ron was far more sexually adventurous than I was at that stage but I went along for the ride (save the dumb-ass remarks ’cause you ain’t thinkin’ anything I haven’t thought or said to myself). So I got into shit I probably shoulda saved until I was a bit more mature. But it didn’t go that way. I wanted the bad boy adventure he promised – it was wild, it was certainly dangerous, and it was flat out stupid.
Ron and I were really rarely on the same page – probably why Jay’s lines from Half-Boyfriend hit me over the emotive head rather hard:
I could give a million reasons
Why we should not be friends
Our moods change like the seasons
My mood ends your mood begins and
You’re a tease, you’re a cockblocker
You’re a loud mouth bitch, and a big talker,
But that’s okay.
You’ll grow up someday.
They are certainly what I latched onto and took away as ‘preach it, brotha…’ because in those few lines he took me right back to those heady and wild and completely stupid days of young love.
Oh, and a sidebar here – I should come clean about my fangirl stalker write up of the day before. I tend to write with tongue firmly planted in cheek. So while I have nothing but complete admiration and am often awestruck by Brannan’s prose, I am hardly the wild and nut-ball cray-cray I prattled on about in yesterday’s post. I was just having a bit of fun. I can be off that way sometimes. Partially why I get it when Jay riffs esoterically on his YouTube channel. When I am in the doldrums and can’t figure out how to get the creative juices flowing I just listen to a few of his mental musings and it’s like splashing cool water all over my tired brain. If brains could gain any benefits from such an exercise. But, well, hopefully you get my meanin’…
So back to Ron the bad-boy Half-Boyfriend in my life:
So I finally got smart, or should I say my friends and family got smarter than me at that point and made me see the light. This after a bad drug induced moment where Ron went completely off the rails and I had to, with the assistance of his parents who were then living in Seattle (we were in San Diego) have him committed to County Mental Health so he could recuperate and get some much needed help. Turns out there were a whole lot of issues I didn’t want to even look at then that came out in the wash from that little drug induced scene.
Looking back on it now, I just shake my head and thank the universe that I smartened up. In a way, I kind of thank Ron for being the whack job that he was. I got my bad boy phase through early on in life. Which led me to the man who I would spend the next ten years of my life with (and no, that’s not the hubby of 20 years that I am married to now). But more on boyfriend number 2 when we get to the post about the song that reminds me of him. I’ll let you all know when that is.
Now for a completely esoteric moment from Jay – I love it when he just does something fearless… never fails to make me smile.
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JAY’S TOUR DATES – Please check them out and catch his show in your area…
Why do gay men obstruct other gay men?
So here’s my rant for today. And while it’s not a new one as I am sure there is some other gay writer out there blogging that while gay men are constantly striving for acceptance and tolerance from a generally homophobic world, we often are our own worst enemy.
I got to re-thinking about it from this HuffPo interview (from outgoing Ahmed Shihab-Eldin – who’s reports I’ll miss greatly): You can read it here.
I am not limiting this to just the social circle either. I’ll post my thoughts on that topic in another stream of consciousness later cause I got LOTS to say on that topic alone.
Let me make a case for how it even happens in the media:
I was at Comic Con in San Diego (the only one that counts BTW (Sorry NYC – you’ve got B’way – leave So Cal a crumb, will ya?)) once where there was a discussion panel (the room was packed to the hilt – standing room only) for this particular show that was all the rage a couple of years ago (flash forward – it was cancelled shortly there after).
I won’t necessarily name the show because it would be pointless at this juncture since it has long been relegated to the netflix/pirate download universe, but suffice to say that it was a hot show at the time. Anyway, the panel of production crew for this show was asked about the inclusion of a gay character as a secondary lead if not main character of the show. The screenwriters jumped right into the fray and said that they were just in the midst of planning such an arc and they couldn’t wait to get started on it. It would come with the following season – they were sorry that the show had to go three seasons in before they could get to it but they were really excited about it. The audience (even for a few years ago) seemed rather pleased about this little announcement (okay, I’ll confess that it was an LGBT panel that is held every year at Comic Con). The two screenwriters of the show were, in fact, gay and were really happy that they got the green light with this particular arc. All seemed good, right?
Yeah, well, at the time I remember grousing to myself (I tend to grouse alot with unspoken angst over what comes out of these Hollywood types at these events), that why did we wait 3 seasons to get to the damned arc? Why are we left in the closet and have our stories sidelined by our own people? Yeah, i know, they gotta get work too and they’ve got the twat head producers to please who are only in it for the buck (despite all the flowery words about creative process and their vision and all the other hooey they throw our way – it’s all UTTER BULLSHIT).
The following March (on the eve of when this hot show was to start shooting) the show was cancelled. So guess what? No gay character arc, no gay storylines – once again our story is left on the cutting room floor – only worse, this one never got shot to begin with (HUGE STEP BACKWARD, if you ask me).
But it’s not the only instance of this happening – Greg Berlanti (who is gay) of ‘The Tomorrow People” (TTP) said the same damned thing about TTP. When HuffPo asked him about his not having a gay character in TTP he said that one was coming in season two and it was gonna be great (are ya starting to see a trend here?). SO that show got cancelled this past April. So here we are yet again – another fucking blown opportunity. Though to be fair he gives a much more lengthy explanation here. Yet, I can’t help but feel that he could’ve done better. How about this Mr. Berlanti – let’s not ‘wait for a creative moment to put in a gay character that will stick around –
…how about we have one from the VERY BEGINNING THAT’S INTEGRAL TO THE SHOW? Yeah, let’s start with that… whaddaya say? Huh?
The general straight populace isn’t ever going to get used to us if our shit ain’t out there, folks! Are ya listening, Hollyweird?
Next up, The Vampire Diaries –
Now, aside from the fact that Ian Somerhalder’s Damon walks that same homo-erotic line with his other male leads in that Mick Jagger sort of metro-sexual swagger, TVD has had NO GAY CHARACTERS for years now! I was a fan of the show but was growing increasingly bored with the fucking boozing and rampant straight sexual situations that we were being inundated with. Why hasn’t MADD gone after this show? This show has more drinking (even when they were in fucking high school (and DON’T get me started on how 30 something looking actors were just soooo wrong for a HIGH SCHOOL show). I never once bought the vixen trio of Elena, Bonnie and Caroline were EVER actually of a high school age. The casting director shoulda been hauled out and beaten with a wet noodle over that faux pas alone!
Anyway, so in this past season we FINALLY get A GAY CHARACTER (count ’em, ONE – in the whole fucking town of Mystic Falls or where ever they were now going to college – and we have to wait MANY seasons to find ONE?) What the muthafucking ever. And I am just counting the seconds til this new gay guy is bumped off. Cause you know it’s gonna happen. (And no, Glee doesn’t count because the entire premise of that show is gay from word go (and sadly sometimes in the worst way imaginable) – too much sometimes even for me to stomach on a weekly basis – and I have a background in musical theatre).
In fact, I can only think of TWO drama shows where the gay men actually make it to the end and they were secondary or main characters – Torchwood and Spartacus. In the pantheon of TV shows through out the years and we have these two shows to show for it? Okay, then there’s Felix from Orphan Black (BTW, I don’t know if you’re keeping score on this too but it seems that two out of the three shows I’ve named are British imports – only Spartacus is American produced).
Okay, and there’s True Blood – but even with Lafayette (on of my absolute favorites and not just because he’s slightly sterotypical but because Nelsan plays him with such pathos and depth that I am utterly fascinated by his portrayal). The same can be said of Jordan’s portrayal of Felix in Orphan Black. There are subtleties and layers that both actors bring to the table that are truly amazing to watch. THOSE are the types of characters our little gay village need.
And Sidebar: What the fuck is up with Lafayette losing Jesus? That was some messed up shit when their arc so wasn’t over – total missed opportunity. But that season’s writing was the almost the worst of the bunch. That is until the season of Billith. Now that season of TB was just plain out tragic.
Okay, I thought of another show that has a gay character prominent enough to warrant it’s own plot line – that one in Scandal (my daughter watches it religiously and keeps telling me I need to do so too). I was going to watch a marathon and catch up when i got wind of them killing off one of the two gay characters (for dramatic purposes). Yeah, you can bite me with your dramatic elements involving gay characters being ‘sacrificed’ for the dramatic cause. That’s SOOOOO 1980’s Dallas/Dynasty era (and I should know cause I was alive when those shows were running in their original time slots (NOT re-runs)).
In Torchwood we FINALLY have a gay character that can’t die (because he can’t die – it’s in the character write up). So yay for #TEAMGAY, yeah, hold up a minute. Turns out he can die – when the show doesn’t get renewed or languishes between seasons. Pasadena…
So guess what gay producers, writers and actors – be the muthafuckin’ change you want to have happen.
Y’all need to grow a pair and put our shit out there. Sorry if that sounds a bit forced, but I got a little Larry Kramer angst going on here from watching ‘The Normal Heart’ – a bloody brilliant movie – thanks Ryan Murphy for getting it out there. Try to remember what it was like when you were growing up starved for some recognition and figure out how to get it out there. And don’t shoot me that old line – gay characters don’t sell. Yeah, well maybe we have to shove a few down their throats until we get to a point where they become inured to it all. THEN we’ll have achieved something. If gay people can bore the crap out of straights like they do to themselves – then game over – mission accomplished.
But we ain’t there yet – not by a muthafuckin’ long shot.
So there was the first show I talked about, then TTP, then Vampire Diaries. That’s three shows, two of which utterly failed in producing a single strong gay character. While the actor playing Luke on VD seems to be a good one, I am constantly waiting for the other shoe to fall and he’ll get bumped off. That’s the modern message we get from these shows: if we finally do get around to putting one out there – yeah, well, it won’t last. It’s fleeting – just like we want the world to think we are in their lives – fleeting, passing through, an oddity to behold and then eschew like yesterdays bright wrapping paper after a successful party.
So over that way of thinking.
So I am constantly polling around – looking for gay men to satiate my thirst for something that reflects my life or at the very least, a form of my reality. But sadly, we’re still all too absent.
And here’s another little nugget of information – the M/M genre of novel writing is actually quite large and thriving and it’s reader base is primarily made up of women. So why aren’t we looking to satisfy the gay market for these ladies? Why aren’t we killing the both birds with the same literary stone? If we’re studying demographics and how to pitch and sell to them, then why aren’t we looking at these numbers then?
I get that it’s show BUSINESS and not show ART. I get it. But if we aren’t taking the necessary steps to have the same opportunity to bore the crap out of the straight audience because we are now just one of the crew, then how the hell are we ever going to make progress on a storytelling and visual level?
As a gay author, I wonder for long periods about that. Not that it pulls focus from my day or anything, but I do ponder it on the back burner. I only wish the screenwriters and producers who are gay and have dealt with the same struggles we all seem to have in common in this world, that they would do more, fight – hell, if we do have a gay mafia out there in Hollywood – then fucking act like some gay muthafuckin’ blinged out homo-thugs and DO SOMETHIN’ ‘BOUT IT!
Are ya feelin’ me, now?
Fae-ry Tales Reimagined…
Author’s sidebar (to provide some context): So I’ve not been blogging as much as I should the past couple of weeks. Life fully inserted itself and pulled focus as it is wont to do from time to time. I had finals in school (yeah, this gay dad put his daughter through college before he ever got around to finishing his own schooling – guess I’m a good father that way), work was a bitch (isn’t that why it’s called work and not play? And on top of all of that I was busy trying to get my first novel to a publisher. Anywho, long story/short – I was busy. But that didn’t mean for a single second that I didn’t have things roiling around in my head just itchin’ to be hurled onto this here digital paper, right?
So here’s what I’ve been mentally riffing on in the back of my mind…
…whilst dealing with work, school, life and the book: traditional character re-imaginings. Now, normally, I am split on this topic. There are some icons in literature and movies/TV that I think are completely sacred. This is why I will NEVER watch Elementary (Watson as a woman = ludicrous). That was simply someone who was too lazy to finally play up and pursue the last step in the Sherlock/Watson bromance and actually make them (male) lovers and so, made it mainstream palpable by throwing a female into the mix. Uh uh, nothin’ doin’ there. So Sherlock’s sacred. As is James Bond – I wouldn’t make him gay for the world. He’s far too much of a romantic fuck-up to wish that on my fellow fey brethren. Now, Benedict and Martin’s Sherlock (set in modern day London)? Sign me the fuck up!
I could wax nostalgic over many such literary and media laden icons like these. But my thoughts were running rampant on a different sacred ground that I was just itching to see go GAY! Disney Villains.
I’d like to point out that I was totally smitten with a certain artist over at Deviantart.com by the name of Sakamichan who has some amazing artwork over there. There is a particular vein where the Disney princesses and villains have been reimagined as their Fae Boy counterparts. This got my creative juices flowing.
First up – Ursula vs. Urs
This could go in so many ways that the original Hans Christian Andersen tale didn’t. I could see Urs actually having the hots for Prince Eric and finding a means to torment Ariel that would take on a whole new meaning. That waifish little fish woulda had a tougher time with a studly and horny gay boy on her finned backside that’s for sure. But if we add a whole other gay boy layer of icing to this lovefest cake? What if Ariel were a merboy instead of that insipid carrot topped girl?
Next up: Cruella DeVille vs. Cruel DeVil
Now we’re getting to the meat of the matter – and I ain’t talking dog meat, neither! This gay fashionista would have added an intense sexual tension if he wasn’t only interested with the puppies but what if he was interested in wrestling a Roger Radcliffe who had dallied with his more prevalent bisexual past while in college. Perhaps Roger is bored with domestic life and Cruel finds the repressed and domestically whipped Roger irresistible? Hell, maybe the dogs are just the trip wire to snag what Cruel is really after? Some man on man action with said repressed husband? That sort of action might’ve made the puppies blush!
Okay, I know. This whole blog entry is rather silly. I get that. That’s where I am mentally after an exhausting round of school finals, work crap and a novel submission. But I have one more musing to propose and it’s a doozy –
The Grand Finale – Maleficent vs. MALEficent…
Now we’re cooking with gas…!
This whole thing would need a complete re-write. I see it as two brother’s dueling for the heart of one simple gay prince who doesn’t have a hope of finding the kind of love he truly wants. He’s probably a waifish man-child. A geek amongst princes – you know the type? Can’t swing a sword if he hired a knight to do it for him sort of gay boy? A King’s worst nightmare?
Only his father wouldn’t berate him. He’d love his shy but lovable little princeling. Now the real story would be about the battle between Prince Philip and Maleficent. In MY version the boys would’ve been half-brothers with Maleficent being the product of an illicit affair between his father and a comely witch. Maleficent would be that son. So as not to eschew him entirely he introduces Maleficent to his half-brother hoping that the two of them would grow close. And for a while they do. Until in their early teens they fight for the affection of a common but ruggedly handsome stable boy. When it seems the stable boy prefers the romantic overtures of Philip over the wanton sexual come-ons of Maleficent, Maleficent pulls a terrible stunt that costs the young stable boy his life. In grief Maleficent accuses Philip for the boy’s death and vows that one day he will visit a terrible curse upon his one true love.
The rest can sort of play out along those lines – with perhaps a replay of the same sort of love triangle between Maleficent and Philip over this new boy. Will the brother’s ever learn or are they doomed to repeat the mistakes of their past? Kitchy, I grant you – but isn’t that the very nature of fairy tales. Faery Tales like you’ve never imagined.
And here’s a twisted take on this whole re-imagining – what if Philip and Maleficent were trying to correct the mistakes of their past? Maybe behind closed doors Maleficent is into painting toe-nails and soft-pillows and chatting about fashion and romance literature. And what if Prince Philip was a total leather daddy now and wanted nothing more than to bend waifish Anatoli (which means East or Sunrise (Dawn) in Russian)? But, I dunno… I think I like Maleficent being the dominatrix-esque leather daddy, don’t you? Either way, you have to admit it would be a far cry from either the Grimm Brother’s take or even the Disney remake.
…or perhaps, like me, they’ve been the musings of your gay boy dreams?
A Tightening of the Screw… [NSFW]
So it’s been a while. I’ve been busy writing. I found a publisher that really seems to get what I am about as a writer. I don’t know if I’ll rate. But it’s something I’ll definitely work toward.
There was just a small problem. My book was too big. I get it. It’s a business. At my age I don’t wander around in a daze of euphoric writers bliss thinking that anything I put down onto digital paper is golden. That I’ll be adored by the masses. I mean, I write MALE on MALE Gay Lit Fic wtih a heavy slant on the erotic element of the story. I mean, I am a gay man. I need to write what I know. It is my world. Been my world since the first guy I boned back when I was a teenager back before the heady days of HIV and AIDS. So I got an eye opener of a entrance into all things gay when being that way wasn’t talked about openly nor was it even evident on TV. Okay, we had Billy Crystal’s Jody Campbell on Soap. He played it brilliantly if a bit over the top fey. But that character was a product of its time. Gay men were supposed to be the laughed at. It was the only way we were palatable back then.
Yet, that never was an answer for me. It wasn’t who I was. Whatever that was at the time (hey, I was barely out of my teens, how the fuck did I know what I was – other than being into men). Being into men was about all I knew about myself back then. This was the era of Jeff Stryker and his huge porn cock from hell – even though there ere plenty of other men who had bigger cocks and could fuck a helluva lot better than he could. Chad Douglas, much? That man was my wet dream of a fuck back then. As a gay boy I wanted to bed that porn star more than any other. It never happened, except in my head and in my hand. From what I’d heard he isn’t around any more (I don’t know if that’s true or not) but if it is, then maybe it was for the best that I never did get my wish.
So why the ramble about fucking? Well, it sort of colors the men in my works. Sex is important to humans – whether or not they choose to admit it. Being a gay author I have a playground to probe, prod and work through the vagaries of being a gay man in this world. Even going so far that in my first work I am seeking to get published is harking back to my youth and the mental ramblings that went through my brain while I was caught up in the euphoria that some other boy was just as interested in an intimate and physical relationship with me as I was with him. That was pretty heady stuff back then. I am sure that gay boys float on air as they discover their first loves and how incredible the simple act of fucking can make your heart soar. Fucking is great. In fact, it’s fucking great.

So with the MC’s of my story – Angels of Mercy, I am having to recall those heady days. The work begins as a contemplative piece. And therein lies the rub, I suppose. Not that any publisher has had a real chance to look at it. It is a book about GAY men written BY a gay man. I know it’s a hard fact to face but I am surrounded by female authors who are writing characters of which most of the work seem to have little in common with the world I grew up in. The world I surround myself with others like me. Not to disparage those author’s works, but inwardly I liken it to writing about a black Jewish three legged lesbian. I have absolutely no reference for me to even begin to hope to have an honest work. Yes, I get the counter argument that human frailties are human and that we have that element in common, despite the variances in our worldly experiences. But you see, that is the one element that I find in the whole m/m romance segment of the business. It has VERY little to do with me as a gay man. Other than it’s men poking and fucking other men. And even in that, it’s polite. The men are not messy. They are not really piggy. There is no cum play, watersports, and even the S/M elements simply don’t even scratch the surface of what men feel or more importantly don’t feel as they experience those elements of gay culture.
So when I heard about a publisher that wasn’t caught in the trap of the same old formula being reworked and reworked – with little hope of a singular voice to break out and really transform the genre, I decided to throw my hat in the ring. So I began to write. There might not be a publisher that will come within miles of it. Though I’ve had beta readers with positive, constructive commentary to assist in tightening it. But in that I have exclusively stuck to other gay men. It is this intrinsic truthiness (apologies to Mr. Colbert) that I am seeking. I am not writing for the audience that wants the formulaic shape shifter work. Nor am I writing for that singular vampire story that has been so overwrought that there is nothing really separating it from other work out there.
And I got it honestly. The three books that changed my life would prove prophetic in how I am writing today:
Gordon Merrick’s Charley and Peter series beginning with The Lord Won’t Mind (my views on M/M romance began here). John Rechy’s two masterworks – City of Night and The Sexual Outlaw. Three books that shaped my young gay boy world before I even put a toe out into that world.
These books color everything I do now. That isn’t to say that the works of Gore Vidal, EM Forester and Thomas Wolfe didn’t inspire. They most definitely did – and still do. Hell, TJ Klune is my go to right now. In fact, pretty much I am influenced by male authors because I find their voice speaks to my own. So along with TJ, Eric Arvin, Josh Lanyon, Jay Bell (a very personal fave) Ethan Day, Brent Hartinger, and Brad Vance, there are many others who’s works inspire. But those men I named give me something a bit more. I am deeply indebted to their creativity as it gives life to my own. That may make me sound gay militant. Maybe. But I don’t think so. As I said before, I am tired of translating other’s works into my own experiences. I can appreciate the work for itself, but it fails to completely inspire. Now give me a male protag struggling with his own gay maleness – and I’m all in.
With my work, Angels of Mercy, I wanted to do something really different. Different in that it has quite a bit of influence from my own experiences. My own sense of sexuality as A MAN who desires and has sex with MEN. A point where my protag rails against his own mother knowing about his life as an out gay youth but he is adamant that she doesn’t understand fully what that means. She can translate it to a degree, but she’ll never know what that means for him. Elliot, my main character, is deeply in love with his boyfriend. The hottest jock on the varsity football team – Marco. I wanted to pose the question, what if the geeky artsy gay kid got the hot jock – what then? For a geeky gay kid who was used to the shadows, what would happen if he was dating (on the DL, that is) the highest profile boy on campus? How would it work? How would it fail? And what would be going through his head throughout it all. And I wanted, for once, for the Jock to be the solid one, the unquestioning one in the relationship.
But there again lies the rub. It’s contemplative. It’s introspective. Elliot’s a bit of a mess. Being a out gay kid in a small town (even in Northern California) can do a number even on the strongest psyche. Elliot can’t believe his good fortune when during a completely uneventful summer Marco, the hottest guy in town, not only comes in to his family run DQ, but he tells Elliot he’s been in love with him for the past two years and he can’t hold out any longer. It turns Elliot’s whole world upside down. They have the summer to discover all things about themselves as a couple head over heels in love before the oppressive monster that is high school descends and nearly drowns them in the process. Do they go back to their separate worlds? Do they seek out a way to be openly together? Very tough calls for two gay boys deeply in love. And they are. Deeply. Profoundly. At eighteen they’ve found their soul mate. But what if the world around you didn’t see it that way – what would they do to be together?
So the screws on my characters tighten. The story goes dark – very, very dark. Matthew Shepard with a little Hannibal Lecter dark before the boys will see any light. So the work is deceptive. It begins introspectively in Elliot’s head and heart. It’s messy. It’s erotic, it’s raunchy as only two gay boys could be. Then it all implodes pushing hard to separate my lovers until they’re able to find a way out and back into each others arms again.
I had a discussion with a published author of some renown in the m/m romance field. When I explained the work, she said that my boys could come off as being a bit pervy. My immediate reaction (though I withheld it from her) was ‘gee, do you know any gay boys and what they get into?’ I get that it’s romance, but honey, if it is men on men – you better believe it will be HELLA PERVY by those terms. Men thrive on messy, pervy fun when we’re together. Even our straight boy counterparts bear that out. Ever watch them on an ATC out in the dessert? Thrashing around in the mud? Men love their messes. It’s what makes us happy. I’ve ranted about this before but I truly think I need to defend my boys in Angels. If they are anything, they are honest. Honest in that they are as close to my own experiences in growing up gay. Honest in that they are equal parts raunch as they are euphoric in their love for one another. But most of all they are definitely male. No chicks with dicks in my books.

NO APOLOGIES…


















