Covering Old Ground –

More Cover Artwork for HO’M,O – Henry O’Malley, Omega.

So here I am again- more discussion on the arc of creating a look/feel for a book I’ve been putting together. It started out simple enough (almost bland in it’s simplicity):

The originally created cover image.

Actually this is a later iteration as I can’t find my original which was just the slash cut with out any bloody references and minus the lycanthropic tagline.

It was slightly emotive of what I wanted but almost too simplistic in approach. Originally I was thinking of going horror novel ala Ikea – ya know, very Scandinavian in design – sparse and minimalistic, yet evocative.

Because the gash/slash was in a swooping motion I used a very swishy font. I tend to favor them. Mostly because I admire calligraphers. And as I said before – I am a BIG FONT WHORE.

So yeah, it was serviceable. Passable. Minimally getting me there.

I mean, I didn’t kid myself and say – wow, that’ll get them to buy it!

Cause, I knew it ultimately wouldn’t. I wasn’t foolin’ myself none, ya know?

So I posted it anyway and then my author pal, Jayne Lockwood commented that she thought the HOMO title should be bolder cause it was sort of lost in the vast sparseness of the work. I thought about it. I did. I swear I did.

Then did nothing about it. Told her that was what I was after.

But it festered. Made me rethink what I was doing.

I didn’t want to do the whole muscle dude thing on so many of the M/M romance stuff. Cause that’s just so… meh. So 1990 in my book. It’ll be cheesy in a few years and NOT retro-chic cheesy either. Just plain cheese – but not the good kind you can put on sandwiches and stuff.

So I needed to retool it. I knew that.

Then I hit a major creative speed bump. It happened last night. I took a breather from writing the ending to the story (it was a NaNoWriMo winner story so I knew I wanted to get it done). And I took a small (fitful) nap. I woke up and had a pseudo-meltdown. I don’t know if it was the wrong side of the bed, or in general I was letting my shit get to me but I wrote a rather long rant to my betas, friends and family (do they have a cell phone program for that?) and babbled endlessly on whether I needed to write at all. Whether I was good enough.

It was a fucktard moment. I ain’t proud of it. I mean, I even bcc’d my mom on it. How embarrassing is that? Your own mother knows you’re a fucktard. Brilliant – NOT!

So when I finally crawled out of my pity-party and began to sort out my shit and got back in the writing saddle I decided I’d take an artistic turn for a few and re-examine the HOMO book cover.

The hubby was busy with the initial edits and comments, so I was left to my own devices in retooling the cover for it once it was done.

I hit up istockphoto (my usual goto) and found a few werewolf-y looking things. But the costs are getting up there to use this service. I like the quality of work but the credit fees to just buy some shit is getting up there now. There had to be others out there that were cheaper. So I found CanStockPhoto.com.

I combed through their stuff on wolves and forests and such and found a couple of things I sort of liked. I always wanted ominous eyes if I was going to do a picture. I also knew the cover had to be dark. So I started to try and combine those two terms to source something for the new reworked cover.

I found these two pieces to start with:

A minimal version of what I ended up using.

And even though I railed against using a half naked man on the cover but I sorta liked this guy when I happened upon him – he had that whole Tanner Tallman (from my book) thing going on. And he had wolfy fangs so yeah, he was worth a saw buck to buy him. (Oh yeah, did I forget to mention? BOTH images cost me less than $9!) It was a no-brainer.

So here he is – (even if I didn’t use him this time around) – it’s a novella series so yeah, I could still put him to use down the road. Especially if I focus on Tanner somewhere down the line.

My version of Tanner Tallman (the beta of my wolf pack).

Anyway, so I went about taking the wolfy eyes and the darkened road and began to repurpose my original cover art.

First to go was the swishy font for the logo – rebranded it entirely into a sans-serif font rather than a display font (if you’re into typography like me you know what that means, if not, eh, don’t fret too much about it). This was invariably a big factor on my changing the background from a faux leather texture to solid black. It would allow the red blood and title to punch a bit more on the cover. Great, but it still seemed sparse without something else.

HOMO with some minor edits – black background and the font change in the title.

Then it was time to sort out which of the two picts I was gonna use. Since Tanner wasn’t the focus in this first book I decided it was better to go with an establishing and moody thought. So wolf eyes and road it is:

The reworked and final image for the first of my HOMO series of gay werewolves set in 1956 West Virginia.

I think it is far superior to my original IKEA take on it. What do you all think?

I am hoping to release it to the masses in early January. It’ll be my first publicly released work for sale but my third novel that I’ve completed. The other two are still in edit mode before distribution. This one was for fun. While I love the work and am happy to dedicate it to my first fan (who loves all things werewolves) it is nowhere near the serious work I am doing in Angels. This is meant to be a spooky romp of a read. Something to get the imagination as well as the loins inflamed, ya know?

So yeah, that’s it for this time around. Who knows I may end up with a separate series of how I design book covers and why? Who knew? I should probably youtube this shit to expand my market share?

Eh, who has the time? I want to write dammit!

Tags: Book Cover | Book Series | Graphic Design | Graphics | Hank O'Malley | HOMO | Riley Raintree | Sparrow's Hollow | Storytelling | Tanner Tallman | Werewolves | West Virginia

Designing My Angels of Mercy

The FINAL – FINAL version of the book cover for the first book in my series “Angels of Mercy – Volume One: Elliot”

Sidebar: S.O. to author pal, Kris Ripper who liked the first one I did of these, that I’d thought I shoot her another. Hope you all enjoy it too!

So let’s talk book covers, shall we?  I mean, I did it before. So it’s not like it’s the first time, right?

I’ve been busy. Did the NaNoWriMo event for the first time and I was really enjoying it (even if it was a bit of a slog to write on a deadline schedule – but it was good for me).

Been putting small tweaks on Angels of Mercy Volume One: Elliot and fleshing out Volume Two: Marco. Volume One is sorta waiting in the wings because it’s ends on a cliff hanger and several authors said that as a newbie writer I shouldn’t do a cliff hanger – soooooo, since my stories are what they are, I decided to forestall the first book and just get book 2 prepped and ready to go so they can be released in tandem. Book 2 ends on a cliff hanger as well, but I figure I’ll have them decently hooked by then (fingers crossed).

So here’s the small twist in this – Marco’s always been the meat of the entire series as far as I am concerned. Elliot and the third boy (who is our guide in Volume 3) are merely bookends to Marco’s tome. The story has always been Marco’s to tell. I just wanted you to get to know the love of his life first. Elliot in many ways is an extension of myself. That’s why it is a character study.

I’ve had betas read the pre-released work and I get universal high marks on grammar and structure (my author pals have universally praised me on the manuscript being so clean) – and that’s the hubby too. He’s been my sole editor. He’s never done it professionally (still hasn’t cause he’s on the personal payroll – wink, wink), but he comes from a LONG line of educators that specialized in English. So I am solid there. He also used to play football for Clemson back in the day so that’s where all the football motif is coming from (well, that, and I did have a fling in my Senior year with an actual HS quarterback). But as I said, the response from everyone I’ve given it to thus far have really been impressed. I am humbled and grateful more than I can say about this.

Angels has been both an easy work to write and incredibly difficult to write. It is a very personal work. It is a love letter to my husband as much as it is to gay men I’ve been blessed to know and have in my life. Truly blessed.

So why the second entry on the book covers? Because I’ve finally nailed book one AND I’ve completed the work on book two in the process! Yippee!!

And here’s the big reveal on the second book cover in the series (cue drum roll in your head, please):

The book cover for Volume Two of Angels of Mercy – Marco.

And as with Book One’s design I’ll let you see how I did it…

First things first – as with all things Foodie, there is a recipe and of course the ingredients. I am a content designer (of sorts – previous life as a graphic designer for a theater company in San Diego (amongst other things)).

Software used – Adobe Creative Cloud Suite (primarily Adobe Illustrator CC 2014 and Adobe Photoshop CC 2014)

Graphic elements –  images from iStock Photo (photos and vector art)

Fonts Used – Scriptina (for “Angels” in the logo) and Copperplate Light for the subtitle and my author byline, and Jackport College NCV font for the football jersey number 7.

The original artwork in its raw form:

Illustrator Vector Line Art

The wings (I only used one half of them and duplicated them).

The Footballer (Hi-res Photo JPG)

The footballer pic – Hi-Res XXL variety (so I could manipulate it and not lose resolution much).

The fonts and logo work were borrowed from my Book One cover and adapted/modified to suit “Marco” in the title. Recycle whenever possible – it builds brand consistency and also cuts down on the design time and lets you get back to what we all REALLY want to do – WRITE, dammit!

So I’ll start with one element of this new book cover that kicked my ass on book one – the fucking footballer jersey has NO NUMBER! Couldn’t do a simple overlay – that would be too f’d up – it wouldn’t be right. So I hit the net and sorted through Photoshop tutorial after tutorial using crap assed terms to find what I was looking for – only because I couldn’t remember what I needed to really look for until I found it again – DISPLACEMENT MAPS. They are golden in my book now. And they proved a helluva lot easier to do than I thought they’d be – Win-Win in my book!

You can check out the tutorial that solved it for me right here.

So first things first – I knew my footballer needed his requisite wings so I had to separate the background (the troublesome gradient blue/black background) from the (footballer) foreground. Sometimes the graphics come with masked backgrounds so this is rather simple. NOT this time around. Sheesh! So I had to painstakingly (though I did save a small bit of time) using the magnetic lasso tool in photoshop to cut away at the background from around my mysterious “Marco” footballer.

Then slip a solid black background on a separate layer so I could manipulate at will what I wanted to do. Here’s the final with the broken down layers along the right side of the screenshot (click to enlarge):

My photoshop file in all it’s naked glory.

As you can see by the layers in the picture I post above, the background was solid black. The footballer sits just behind the jersey number layer and my author cred. The wings and the logo taking up the layers in between.

So I imported the jpeg I created from the Illustrator file and cropped the blue side of the wings (the ‘water’ wings) and duplicated the layers in photoshop once the first blue wing was imported and then sized them by freehand so while they are an exact dupe, they aren’t sized exactly the same – only a hint a being symmetrical. It was enough for my purposes. I didn’t want an exact dupe this time around.

The “water” wings imported, duped and resized by hand (freeform) so they aren’t an exact match – a way to maximize your dollar.

I also angled them so they would be more upright (alluding to the same sort of position from my Art Deco wings from the first cover – see above). Added an adjustment layer above the two wing layers and boosted the hue and saturation to embellish and bring out the blueness of them.

Next up – Slipping my footballer back in front of the newly created wings.

Adding “Marco” back in to flesh out the “angel.”

So now we get to the hard part – or what I perceived to be the hard part – the Displacement Map – to add the jersey number. The file I created for the displacement map I ended up using the black channel of the photo (when you get to that step) as it had the most contrast to build the map (I think in the tutorial link she used the red channel – use what looks best and has the highest contrast to work from – it’ll apply the best results).

I typed the number for the jersey (using the Jackport College NCV font) to create Marco’s football number – 7.  And I applied a white to black gradient to the number so it would fade out along the bottom of the cover like his shirt does in the picture.

I used the tutorial just as it is described above in the link I provided BUT I changed the displacement map settings from the default 10 to 5. This was the result:

Adding the “7” jersey number with the displacement map setting to 5.

Then I added the duped layers from my original Volume One: Elliot book cover (see above) and inserted the duped layers for the book title and sub-title (swapping out ONE for TWO and Elliot for Marco) so it would be inline with the finished cover I was after. Then did the same for my Author cred.

And voila!

The book cover for Volume Two of Angels of Mercy – Marco.

But having succeeded in this I immediately was emboldened by my success with the displacement map that I went back to book one and FINALLY put the long missing Jersey number back on it!

“BEFORE”

“AFTER”

To paraphrase Darth Vader – “The Circle is (sorta) complete…”

I do still have to come up with Volume 3 (insert mystery character here – no spoilers this time).

Until next time… Happy Writing and Designing!

Shout Out to my musical muse – JAY BRANNAN! I constantly play his music while I do anything Angels related. He hasn’t steered me wrong yet. He might argue that he hasn’t steered me at all. I love the shit outta his work anyway.

BUY HIS SHIT NOW PEOPLE! I need this guy to keep working!

Always Then & Now Cover Art

The album that inspired me to write Angels of Mercy.

Tags: Angels | Angels of Mercy | Author Pals | Avenging Angels | Book Cover | Book Series | Brannan as Bard | Design | Elliot Donahey | Football | Giving Back | Graphic Design | Graphics | Jay Brannan | Marco Sforza | Marketing | Mercy High | Mercy High Avenging Angels | Pietro Sforza | Storytelling | Themes

When is a goal not a goal?

Answer: When the 50K word count has been reached but you ain’t done with the danged book!

My newly created cover image.

So my NaNoWriMo goal is within sight – I’ll have my 50K tucked away by this evening and I’ll post it for validation. Whoo-hoo! I did it and I finished it well before the November 30 deadline! I am proud of myself for pantsing it along.

Now, to the real task – of getting the damned thing in order cause it sorta feels like I’m trying to hug fog at the moment. This shit is nebulous as all hell and I need to straighten it up. Not that it can’t be done but fuck me if I know how to do it.

I guess I am gonna have to poll my beta’s and see where I am missing shit…I know what I want to do, just in the thrust of gettin’ to my goal I think I have some massive holes in plot and narrative.

So yay, me! Well done! (That sound you’re hearing is the patting of my own back – cause sometimes you just gotta to keep ya goin’).

Above is my adjusted cover art. It’s rather subdued but at least it’s got some umph, no?

Thoughts on it?

As a rule of thumb I am opposed to those manly half naked men on the covers – I just think that most of that will look so damned dated down the road.

Also, while I have your attention – what do you think about the word “adventure” in the tag line? It’s not really an adventure – more of an experience, tale, event (now that’s just plain lousy)?

The story does have some angst that I am gettin’ to now. Just not much in the way of adventure – I mean it’s not a wolfy Indiana Jones. Even though I can sorta see Harrison as a wolf man.

Anyway, the goal for NaNoWriMo will be reached by tonight. The story – eh, not so much.

And it’s been nice to have Steve Grand in the rotation to get my boys where they are. Only now it’s gonna get darker – a whole mess darker. I may have to switch up the playlist for a bit to get into the groove. Riley, Hank and the boys are in for some bad assed times. Then my HFN for the moment.

Free reads of where I am up to the 50K mark will be posted later on tonight.

Then I need to pen some more of Marco’s Angel’s volume – I’ve left him sorta hanging and he’s got shit to say now about his burgeoning love for all things Elliot. The boys in my worlds are gonna drive me bat-shit crazy!

Til next time…

Tags: Angels of Mercy | Challenge End | Cover Art | Elliot Donahey | Gay Weres | Gay Werewolves | Hank O'Malley | HOMO | Marco Sforza | nanowrimo2014 | Riley Raintree | Sparrow's Hollow | Storytelling | Werewolves | West Virginia | writing

The Power of Betas

Who knew? I know I sure as hell didn’t.

Now, you might be thinking, and rightly so, what the hell is he going on about now?

Well, I’ll tell ya.

Sometime last year I began to get quite interested in being a writer. It’s not something new. I’ve had these stories burning in my head – albeit on very far away and distant back burners, mind you – that needed me to get on with the telling.

So last year I began to start writing in earnest. I was writing mostly for me. I still am to a great degree. It doesn’t matter if no one else really likes what I am doing. I like it and that’s the bar I need to hit – as a matter of reference I am never quite satisfied with any creative work I do so that bar is probably a helluva lot higher than any of the critics out there could begin to tear down.

In any event, I began writing.

First it was a story that had been passed back and forth between my husband and myself – an alternate history dealing with Natives from the America’s and the ‘what if’ of a little known and oft missed point in our American past where the British reneged on an agreement that would’ve backed the establishment of a Native nation on the burgeoning American continent. In actuality, there was a small book that my husband introduced me to that dealt with this in an indirect manner  – an alternate history of a world where this had come to pass. It detailed, quite well, how Natives would have evolved in western society and applied their precepts and outlook on modern life in an alternate universe that pseudo paralleled our world.

The book was: The Journey of Silas P. Bigelow by Keenan Heise.

It’s a lovely little book that actually grapples with some fairly complex societal mores. I loved the book and I was inspired to write my own “what if” on how I would see Native’s in the bold new modern frontier if they’d been allowed to prosper and evolve unimpeded by the western Europeans.

So I started on that piece and it became quite a behemoth in scope as well as in tone. I decided to table it because so much of it was interesting but it just wasn’t jelling. I was undeterred though – I knew that writing was my thing – I just needed to find the right vehicle to get me started. So that story is on the back burner where it my likely remain for all time. I have the manuscript files, I have the notes and research (which was extensive in both history and in quantum mechanics and native theory on physics in general). Just those pondering alone can point to an over-indulgent exploration that would rival Tolkien’s. To be blunt about it, I wasn’t up to the task (just not then, at any rate).

So that got shunted for another take on Native life – since I am of native descent (my own father coming straight from the rez) I took to writing a different sort of story that was still scientifically based (mostly because I married a real rocket scientist) I wanted to play with the whole – let’s present it as magic (ala Harry Potter but with Indians) only to show by the end that it was all science – just not understood by those who were wielding it what it was. That work is still in progress and has quite a bit amassed already.

But then I got an itch, brought about by Chris Hemsworth’s turn as Thor. I wanted to do something with Viking lore – so I became enamored with the Norse Fae called the Feigr. That iron was put into the fire and I began writing that in earnest too.

I am sure you can see where this is going – a whole shit load of irons in the fire but nothing coming from it.

Enter my Angels: Marco, Elliot and Pietro.

Angels of Mercy had none of the above. When it hit it came like a hurricane and completely sidelined EVERYTHING I was doing. I wrote the first volume of Angels of Mercy in a matter of months. At 205K words it is one helluva tome – and it is only the first of three books in the series. With book one completed (yes, I FINALLY completed something) I began to write volume two (I figured I was on a roll now).

Then NaNoWriMo reared its attractive head – ‘write a novel in a month’ was the challenge. I’d just put the wraps on a 205K novel so the 50K challenge didn’t seem like anything of the sort. So I set aside Marco’s part of the tale in Angels to create another new universe: Werewolves in a fictitious town of Sparrow’s Hollow in 1956 West Virginia. It’s proving to be a bit of fun writing fluff of a horror nature (albeit with a whole lot of gay boy on boy lovin’ thrown in for good measure – I am all about the man on man love fest here in case you hadn’t noticed).

Well, that is about to wrap up (within this week), and I have taken time off to get it accomplished so by the time November 30th rolls around I’ll have my second (if smaller) novel completed.

So, aside from the possible tie-in with werewolves, where does the whole beta thing come in?

Simple. As a writer I found out from my other author pals that betas are invaluable to any author and are worth their weight in gold if they aren’t the sort that will just (as one author put it so eloquently) “cast so much sunshine up your backside that you get a sunburn from it.” So I found out I needed me some beta readers to give me feedback as I began to write and develop my worlds.

Now to be honest, this was something that initially I was toying with. I was always going to write either way. It’s just in me to do so. Yet, here’s the thing: I was curious to a small degree on what someone else thought of my work.

So I began to find others who might read it. I found my first beta in a LGBTQAI support forum board and began to chat him up (no, not in that way – head out of the gutter now), to see how receptive he was about my writing. He admitted that he wasn’t much of a reader to that point because most of what was out there didn’t interest him. But I asked him to read Angels of Mercy and to tell me what he honestly thought. Surprisingly, he did.

While he had praise for the work, which I found so gratifying, he also demonstrated a complete attachment to my boys in the story. As if they meant something to him. I didn’t expect this. I didn’t have a plan for that. But there it was – plain and simple – he loved my world. He loved my boys. And he had thoughts on what was working and what didn’t. I had me my first beta.

He’s golden. He’s one of a kind. He’s thoughtful about my worlds, he’s asked questions and pointed out inconsistencies when they’ve cropped up. In a word, I was gobsmacked. I just didn’t think that anyone would find what I did remotely interesting let alone be just as hooked with them as I was.

I’ve since taken the works to a few others and the response has been rather universal. The work has a certain something. It has some sort of quality that people respond to. My other betas have all said the same sorts of things (with variations on a theme depending on where their own life has taken them). That has been a wonderful thing to take to heart. Sometimes I don’t believe it. It’s just easier from a writing standpoint if there isn’t someone else’s bar in the mix. If it’s my own I can write to that and attempt to impress myself.

My betas? Yeah, that’s a tough one. Not because they’ve kicked me really hard (though they have certainly held my feet to the literary fire when needs be), but because they’ve all consistently gave me the consistent encouragement to press forward. That what I was doing wasn’t in vain or some little silly thing that only I was going to ever read.

In the course of my writing, I discovered that while I write stories with strong gay male figures that contain (amongst other things) a strong romantic element thread, they are not the M/M romance fluff that is out there. I am not disparaging those works – those that find them of interest have a large selection to choose from. As for myself I require more. I require an element of truth that only comes from within. From having lived this life as a gay man. I am not a writer like those of the M/M romance genre. More power to them but I am not of their kind. We may have elements in common but that is where we also diverge from one another.

My betas all seem to be in agreement with me in this. They like that I am not guaranteeing anything when you open one of my books. There is no automatic HEA (Happily Ever After) or HFN (Happy For Now) ending. Because life doesn’t work that way. My worlds, fantastical though they may sometimes be (the Feigr, the “magical” natives, etc) are all rooted in my own or a loved one’s experiences.

This is reflected in the lives of my betas themselves.

Recently one of my beta readers, my very first, a man who I’ve come to count on for a great many reasons ran up against a health concern that had the potential to be life threatening. When that hit I literally almost fell apart. I didn’t write. I stopped cold. The passion drained from me – and this in the middle of the NaNoWriMo contest  – not a good thing. But my beta’s life was in the balance. Nothing seemed as important as that. I stewed, I pondered the what if’s – which were many because my husband also had been a practicing physician so I had the 411 on what the potential outcome was even before my new found friend got the official news.

I was gutted.

And let’s be clear – this wasn’t about me. I was overwrought with concern for him. I am not a religious man by any stretch of the imagination. There were no prayers involved. I’m just not built that way to give into the whole ludicrous “no atheist in the foxhole” mentality. Yeah, husband has had his life threatened numerous times so if I was gonna cave on the whole God vs. No-God thing it woulda been back then. But it certainly didn’t mean that I wasn’t going to stop and think about how my bestest friend, my first “fan” (if you will) was faring through a very difficult time.

He dropped off for a while. Little to no communication from him. Wasn’t easy to endure on my end because I wanted to know how he was doing. But I gave him space. I wrote him once to tell him I was here no matter what – it felt so empty to offer that. I wanted to give him back so much more.

That caused a fire to be lit in my belly. I began to focus all of that into my writing. I had taken up the subject of werewolves because of this very person who was struggling with this life threatening illness. I wanted to write something for him since he has a particular fondness for werewolves (along with men). So it was sort of a fun thing I was doing for him. Only now, it had morphed into being for him in ways I never originally envisioned. I recast one of the characters in the book with his name. I dedicated the book to him. It felt so hollow in many respects – so railing against the big thick glass pane that separated us (he in Michigan with me in CA). But I wanted him to know in some small way how much I’ve come to count on his advice. How much his words meant to me.

I never bargained for this when I started out. I never in a million years thought that I’d ever have this to deal with (and Michael, this is NOT a gripe on my part – please believe me). But these people, these generous people who have given me their time and energy in reading my works and giving me “what for” when I went astray, have become so important as I progress and grow as a writer.

I always said I would trade five million five star ratings for one person who deeply felt what I was doing. Michael is that guy. I am writing for him and men/boys like him. Men who need to hear about our worlds from our own. Men who understand what it is like to deal with the world around us that keeps reminding us at every turn we are NOT like them. We are NOT the norm. I welcome anyone who wants to read what I write. I thank them with all the humility and graciousness I can muster. But I am clear about one thing – I write for men like Michael.

A dear friend I met through my writing.

A man who has so much to offer in life.

A thoughtful individual who cares about my boys almost as much as I do – sometimes, more so.

Yeah, turns out, this Alpha writer does need his betas. They might matter most of all.

Tags: Alphas | Angels of Mercy | Beta Readers | Betas | Elliot Donahey | Feigr | Friends and Fans | Gay Werewolves | Hallet's Cove | Haudenosaunee | Human Frailties | Illness | Iroquois | Marco Sforza | Mercy High | Mercy High Avenging Angels | Mortal Coil | nanowrimo | Native Life | Native Views | Pietro Sforza | Science as Fantasy | Science as Magic | Thor | Werewolves | West Virginia

Paying It Forward – Love Letters to My Gay Brothers – Why I Write

A couple of weeks ago I made some comments from a question posed by an author pal of mine, Jayne Lockwood. We’ve been having an on-going conversation regarding the process of writing, why we write what we do, how it is perceived by others and the process we go through to create what we do. It’s a very rewarding conversation. Well, for me it is at any rate (I can’t speak for Jayne, but she seems to like it – at least so far she hasn’t told me to take a hike and shut the hell up so maybe it’s going good?).

The problem is I said somethings that many women writers took me to task about (both on my pal’s site and on Facebook). Being a father and a grandfather to two women of my own, when women express something vociferously I tend to really take in what they are saying and weigh it heavily. I do this because I fight just as vociferously for my daughter and granddaughter’s right to be equals and have whatever they want in life. Their gender shouldn’t ever play a role in what they do – other than bring their womanly experiences and points of view to any conversation which I certainly believe have merit and weight.

Anyway, one woman in particular really took umbrage with what I said. This despite my attempting to clarify what point of view I was after. Even after explaining myself she still thought my point was “asinine” (evidently in the extreme). Now, being a man, I wanted to do the knee jerk reactionary thing and bash back. It’s an inherently male trait that I am well aware of. It’s why men go to war, it’s why men wage war in the first place, I suppose. But, having the girls in the house I decided to temper that knee-jerk response and really weigh what she said to me. It was written this way:

I’m part of the community of authors who write gay fiction–regardless of what they do or do not have in their pants. I find the gender of the author to be irrelevant and I don’t consider myself to be a part of the ‘straight community’ or the ‘bisexual community’ or the ‘bisexual women married to men who also happens to gay MM fiction’ community. I’m a person before I’m anything else. I’ve read male authors who ‘feminized’ their characters to the point where they are crying every other page and had emotional conversations about love and other crap right after meeting a stranger, as well as women who write male fiction so well that men–gay men–have said they thought the author WAS a man. Fiction should be judged on its own merit–not based on the sexuality or gender of the author–and anything beyond that IS asinine. We need to stop dividing ourselves.

So I sat and thought about what she was saying to me. At first blush, like I said, I reacted strongly to her judgement of my POV being asinine. Then I realized why I was fixating on that word in particular and why I was taking umbrage with it. It occurred to me that it wasn’t the point she was making, because on the whole I agree with her 99%. Why the 1% hold out? Well, therein was my answer. And it was my fault entirely for not being accurate about my first response to Jayne’s query. A point I will come to in my summation below.

With regards to writing, there are various manners of writing. Technical writing, academic writing, literature (with varied genre and sub-genre classifications), etc. So first and foremost I am simply that – a writer. No different than any other. It is a community that I share with the commenter above and with all of the people who have responded on both sides of the discussion (and yes, I had some male writers approach me separately that didn’t want to voice their general agreement with me publicly – those were private and I will not be disclosing who said what – just know that there is still that prevailing difference of opinion out there). But as I say, I am a member of the community of writers. Yet in really examining my feelings on this issue I slowly started to see how I hadn’t clarified my own position or point of view to fully answer my writing buddy’s initial query.

Now to be fair, Jayne and I are doing what we’re doing because we want  those surprises in our conversation. We both have bought into the “oh shit, I said that all wrong but fuck me, it’s out there in the heat of the moment and yeah, now I gotta eat crow so pass the damned salt cause this shit is gonna taste hella nasty.” (Sorry, ‘hella’ is a No. California expression that as I write about my teens in the area I live in I use to flavor my boys and girls of my stories – I am staying in the groove with them, so to speak). We wanted these moments in our on going dialog because as writers Jayne and I are all about the reveal. So we sort of know we’re gonna step in it from time to time. I accept that, and in a very real way I am giddy with glee that I did it. Why? Simple: it allowed me to examine where what I said in the heat of the moment came from and why it caused a bit of a shit storm response.

But as I said, I am a member of the community of writers. And it was in that that my answer lay in why I have the point of view I have. It is also where my most vocal critic’s argument runs afoul to my mind. It is the one percent on where I completely and whole-hardheartedly disagree with her and will NEVER give ground on it. You see, I am also a member of the LGBTQIA community. And more specifically, the gay community of brothers that while I rail within it about how badly we can cut and tear at each other when we’re amongst ourselves (bitchy twinky queen much?) I still love each and every one of them because they exist. With them, I don’t feel alone in expressing how I feel what I feel. And herein is why I am writing to finally clarify my point of view. It also serves to finally answer the question for myself on what I am doing here, and why I write.

Michael Sam – a man I admire with the brilliant simplicity to his message. I watch him with a very interested eye.

As a gay man I share with my communal brothers the trials, tribulations, euphoric, insanely giddy moments of our community. It is something that we all share regardless of how we all came to the road we are on as gay men. As a matter of record, I have grown to become quite pissed at the “community” of gay men because we spend an inordinate amount of time not supporting each other as we should. Something our lesbian sisters have taught us time and again when they’ve nudged us (they were one of out greatest allies during the whole AIDS crisis in the 80’s and 90’s and continue to do so – for which I am grateful). But the work has to come from within. We, as gay men, must rise above the in-fighting and the bickering that permeates our own community and truly hold each other up. No one else will do it for us. Our allies commiserate with us on how our often our community is maligned and disparaged, but they are allies in the fight for dignity and equality. But they are not the community. That lies solely with my gay brothers and myself.

And herein is why I will never cede ground to my critic’s point on this 1% – where the 1% will always trump the 99%. I know this to be true because it happened to me.

When I was sixteen and dealing with the fullest meaning of what was going on inside of me – my budding emotional responses to the boys around me in school and in my day to day experiences –  I felt utterly alone.

Isolated.

Exiled.

I wasn’t a member of the mainstream club.

Now to be clear, I had tons of friends, I had family members who knew about my burgeoning gay life as a young man taking up the reigns in what that meant for me going forward. So I was surrounded by people who loved and supported me in many ways. But let me be absolutely clear about this:

I was alone in a sea of people. People who were there for me in every way than could be save one – they weren’t like me.

I soon sorted out for myself that I craved another gay man’s voice. I needed to know there was a community of men who shared my passions (however varied they were) and also understood implicitly what that meant – from the inside as a man. I was hungry for their words, I wanted affirmation that what I was feeling meant I wasn’t alone. I had my parents and siblings unconditional love and support – for the 70’s/80’s this is rather astounding as there wasn’t much out there for parents to latch onto that what I was becoming was positive in any way. My parents, I suppose, just trusted that I was the same good boy they reared and as such I would apply myself to this new avenue in the journey that is my life. Despite all the love and support they had for me, they could never be what I needed most at this point in my life. I wanted to be amongst my own in the worst way. But I was sixteen. No way for a boy at that age to easily accomplish that.

But I could find a book to hear what they had to say.

So I began looking. I knew that what I wanted from it couldn’t readily be found in a library. Mostly because what I was curious about in my hormonally charged teen boy days, was the topic of sex and love between men. It took me several visits to the bookstores I’d disappear to in the local mall my parents would take my brother, sister and me to on occasion. It almost happened by coincidence. I found some books that were not in the right place on a shelf that was slightly above my eye level, I shifted them around and a book that would become one of my bibles was there – nearly glowing with angels singing it’s praises to me. That book was The Sexual Outlaw by John Rechy.

The book with the cover I saw as a young boy of 16. It transformed me.

John’s book was transformative. It was gritty, unabashed writing that spoke to me in ways that no one else could. It was as if his words were for me and me alone. They were powerful, their imagery was stark and bold. I emerged a very different boy with that book. So here we’ve come to why I will never agree with my critic’s point of view. Because it is from my own community of writers: gay men writing about our worlds as we are. Those words I’ve said before but not in the context of how I truly meant them and why. As a boy I wanted that affirmation from my own kind and no amount of brilliant writing, witty and powerful prose from anyone  outside of that sphere was going to satisfy. It just simply wasn’t. It never would. I wanted to hear it from the source – not some random author posing what they thought it might be like. I wanted other gay men’s voices in my head. I wanted to swim in them, I wanted to be immersed in their minds, in their worlds, in their lives. I needed to understand what being gay was all about.

John satiated my lustful thoughts. He colored them and gave them such a compelling narrative that I was living and breathing it every time I opened that book. But he didn’t have all my answers – I wanted more. So I sought out others as best I could and I happened again on another gay male author: Gordon Merrick. Merrick satiated my heart. He gave me the perspective of a gay man in matters of love and relationships between men. And you can bet your sweet ass, no woman’s perspective no matter how beautifully written was going to give me that. I wanted a definitive male perspective. And let me be abundantly clear about this – the nature of the writing, the quality of the characters, the style of prose didn’t matter. Not really. It was that I had another gay man’s voice in my head. That belonging to a group of men like myself was paramount — almost more than the work itself. And herein is a salient point I’d like to make to my straight women allies who write about us in the here and now, we may have M/M romance as it is today and many of my critics site that it came from the fanfic/slash fic of the 90’s and that it is from these straight women who have given birth to this genre – yet I say to you all, unless you were doing this in the early 70’s when this book broke and was on the NY Bestseller list, then no, Merrick was one of the first. And he did it at a time when no one else was doing it. I know because I was there. I lived through this period in time. And it could be argued that it existed before him – EM Forster’s Maurice was penned earlier in that century as no doubt there were a few others. These courageous men were the men I craved. Men I could admire, men I could aspire to and say to myself ‘I want a piece of that pie… I want me some of that.’

Merrick’s compelling and controversial Peter and Charlie gay romance trilogy.

I know that the argument could be made that this was all before the advent of the internet, that now it’s easy to find them. And yes, you’d be right about that. BUT, herein is the subtle but profound difference, and herein is why I discovered why I write: I still require gay men’s voices. I still want to know why Zachary Quinto is taking umbrage within his own community in the here and now about his perception of how his fellow gay brothers have grown “lazy” with regards to protecting ourselves against HIV/AIDS when we have drugs like PreP out there (he is getting slammed for starting the conversation – I, for one, am THANKFUL that he took the time to pose the question in the first place). I still want to know from my gay brothers what stirs up our shit about things in general. And yes, that information isn’t as hidden as it was back in the day when I was struggling to find affirmation and confirmation that I wasn’t alone. It doesn’t matter – I still want more of my own. I want to know today why Perez Hilton goes off on a fucking tangent and makes an ass out of himself and fails epically, I want to know the struggles of Michael Sam as he tries to elevate us all by simply being and showing us how equal gay male athletes are in the larger sports context.

For me, and I think for a great many within my own community, gay men’s voices will ALWAYS trump another author from outside my community – no matter their intent, no matter the quality of their work, because they simply AREN’T a member of our community. They don’t live it day in and day out. They may write beautifully and profoundly but to my mind, there is still the inherent tick box that says – lovely work but not of our own. It is that nugget of living it that puts it over the edge for me. Not because of the quality of the writing – but that by their very existence they affirm that I am still not alone. I need them. I need them all. Good, bad or indifferent. I need them because together we still have a “community” (such as it is).

Does this mean I think others outside our community shouldn’t write as they do? Absolutely not. I’ve said so time and again even though most of my straight allies took me to task as if that is what I was saying.  But in this my absolute truth began to emerge. I began to truly see what kind of writer I am. I’ve begun to define myself as a writer and the audience I am truly seeking. I’ve learned that my road won’t be an easy or profitable one.

I am a writer. Period.

But I write from my own rooted experiences.  I write to my sixteen year old self – telling him about what I’ve learned along my varied and roller coaster past. And they are rooted in life, they are my own and my fellow gay brother’s shared experiences. We live them. The situations I put my characters through may be imaginary but they are deeply rooted in my own and my gay male brother’s experiences. Words we’ve shared amongst ourselves. Words that both soothe and harm one another. Love, anguish, hurt, coupled with friendship, camaraderie and bliss filled euphoria (as a sidebar my husband, a brilliant writer himself, rails against my using bliss and euphoria in the same sentence – he said to stop over stating – it’s redundant – I smirk at him and say that in my own way I am railing at convention and want to be over the top emphatic about my blissful euphoria – but this too is why I write). My stories will have strong romantic threads but they are definitely not romance novels. Not in the sense of that particular genre as it stands now. And herein I believe that the genre needs to grow beyond the limitations and restrictions or the genre will wither on the vine and it will grow stale from the same formula cranked out over and over again – merely swapping out vocations and locations to keep things fresh. That can only go on for so long. My men will fall in and out of love. Because that is how we are – but I won’t guarantee a HEA (happily ever after) or even an HFN (happy for now), because it doesn’t work that way in life. This I will not adhere to. That I think is ludicrous in the extreme. In that manner my straight women allies can have at it. It is not for me  – but my stories will have strong elements of love and loss. To my way of thinking that makes them infinitely more compelling and powerful if you don’t have a guarantee. End it the way it is supposed to end – not because some prescribed “way it has been done before.” I rail against that too. But then again I come from a community that has had to fight tooth and nail for every inch of acceptance and happiness we can. Where simple expression of affection is ridiculed and denied us. That is a compelling dialog to write from. That is what I will explore and show how we as gay men struggle against that – culled from our own collective pasts.

This is what separates me from the straight women allies in the M/M genre (romantic or otherwise). I am not writing to them at all – and that was an amazing revelation for me. They are not my audience. They can certainly come to the party and I would welcome them with as much humility and humbleness I can muster for their wanting to see what I am all about.

But they are not the focus of my prose.

In that sense, I am a very different writer. I am not writing to become famous, I am not writing to make the all mighty dollar. I am not willing to write to a formula that sells. My stories are what they are. And you can believe that if there are gay characters then those points of view are coming straight from the community of gay men I surround myself with and delve into their pasts, carefully editing out names and distilling the shared experiences for future works. I cull from my own and my gay brother’s lives. So when I put a gay character down – I’ve walked through what makes him tick. I do this for that sixteen year old me and any others out there that are like me. They want that affirmation from another gay man. Because we are gay men. 

Men are the object of my desire. Men are the object of my interest. Doesn’t mean I won’t write strong female characters in my stories (I have two very important women in my own immediate family that I must answer to so you bet your ass there will be very few weak women in my tales – I want my girls to know everything they can be as well – I am all about spreading the wealth). But in that, any women characters I create is more from a desire to express what I want my girls to take away from them. Doesn’t mean for one moment that I know what the hell I am writing about them from the inside – I am simply not a member of that community, and I don’t have the gender parts or psyche that make up the foundation for that community. I aspire to do it justice, just the same, but I must embrace that it will never be able to write from that intrinsic truth that comes from within. Are there shared human experiences between the sexes that I can speak to? Certainly. But I have to embrace that I am simply not a woman and being a happy well adjusted gay man – I can definitively say I wouldn’t want to. I am very comfortable in my skin and where it’s been in my life thus far.

But what I am doing is writing to my brothers – love letters of a sort. Words to add to the dialog amongst ourselves. I am putting my words out there in the odd chance that some gay man out there might find it and its contents to be of interest. I’ve come to embrace that it may be in vain. It may never be in demand. It may ultimately come to naught or may rise in popularity after I am long dead and gone. It wouldn’t be the first – EM Forster’s Maurice was only allowed to be published after his death. I am okay with this. I will write either way. Why? Because I am doing it as a matter of posterity. I want my work to be added to the annals of other men in my community, Gay men’s voices. For ourselves, to express what our journeys are to each other. Others external to us may pick them up, others may find them interesting and may even glean an understanding from them from inside the community and what it is like to live within it. This too, is welcomed – but not germane to my craft.

So in a way, I am glad for my critic’s words. They helped me define myself and what I am doing. I wish her nothing but luck with her own journey as well as any other writer out there. The stage is big enough for us all no matter why we do what we do.

What I want out of all of this is to urge my fellow brothers to step up and write about us – we need to define ourselves in a fictional literary sense that are rooted in who we are, as we live it. This is a call to action – to my own community. There are those of my kind out there doing just that. What I want is more of the same. I want to hear what my fellow brothers are experiencing, what their journeys have been thus far. Where have they stumbled, what have they achieved? I am inspired by them – by these men’s voices. They speak to me like no one else can. They enrich me.

Men like Jay Brannan (who I think is one of the most contemplative and imaginative men I have ever had the honor to meet).

The album that inspired me to write Angels of Mercy.

Brannan’s work is my go-to. His words give me hope and such determination to aspire to his level of writing. I am enriched to know that as an older gay man, with this young out gay artist our story is in very, very capable hands. He is nothing short of a modern day bard. I have an on-going love affair with his prose. I admire his mind – the truly sexiest part of Brannan’s work. And his voice is like salve to the soul. It’s clarity and beauty is truly astounding. And he was gracious enough to allow me to quote his magnificent work within my own. One gay male artist supporting another. I am deeply humbled by his generosity and creative spirit.

Men like Steve Grand – who has taken his bold take on the mainstream country scene and through his profound presence and sheer will of the struggles of our loves and lives has garnered followers and fans from both within and external to our community. I admire his journey as a whole. It’s brilliant, it’s bright and all encompassing, and I am in awe of it taking off like it has. I haven’t had the pleasure of seeing him perform live but as a kickstarter supporter of his, I am already part of his conversation, if from a distance. I am still heartened by his journey.

Grand fanboy here and proud of it! #teamproud #teamgrandfam

Authors (in addition to EM Forster, John Rechy and Gordon Merrick) like Christopher Rice, TJ Klune, Gore Vidal, Larry Kramer, Felice Picano, Brad Vance, Eric Arvin and the like.

Rocco Steele and Boomer Banks – two men whose lives are very fascinating…They inspire me too.

Men like Michael Sam, Jason Collins, and Tom Daley. Men like Dustin Lance Black, Shane Bitney Crone, Zachary Quinto (pictured below), Anderson Cooper, Greg Berlanti, Wentoworth Miller, Matt Zarley, Chris Salvatore, John Barrowman, Ryan Murphy and others – the list goes on. This includes gay men in the porn and sex industry – for many of them are my gay brothers too. Brilliant men who I admire for their minds as much as the work they do because they have productive lives outside of the industry (they are forward thinkers) – men like Colby Keller, Levi Michaels, Antonio Biaggi, Boomer Banks and Rocco Steele (pictured above) – such courageous and brilliant masculinity on display there. Even in this with them, I am inspired. What happens to them is of great interest to me – because it is reflective of my own in one way or another. Men who have to be weary of the world around us. A world where we are slowly seeing a rise in acceptance and tolerance (despite the occasional setback and fucktard conservative voice pushing back). In a real but absurd way, I am okay with the push back. It gives me a treasure trove to plunder for my characters to struggle against. And in that I also rail a bit at my critic’s sentiment above. She laments that we need to stop being so divisive amongst each other. Yet, I can’t help but think that while a lofty goal that may be, I don’t know that we’ll achieve it in what years I have left on this Earth. But again, it’s great fodder to write from certainly. We humans love our drama.

Zachary Quinto – a man I admire greatly. He possess a deftness with his words that I think is greatly needed in our community.

As my good fellow opera singer, Joseph, from my days in Opera once said, “No one wants to come see a happy Opera.” He’s right. Drama springs from life – it both reflects it and informs it. I am a writer of drama. More specifically, gay men’s drama. Might be limiting in scope but with the pathetically few books written by us rooted in our own collective experiences, I’ll stick to that course to add my own to my community’s slowly growing literary library.

I am a gay man who craves the voices of my own. It was that way when I was sixteen, it is that way now. I am thankful for those outside the community who want to write about us. I may even enjoy their work and praise them for what they do (I have done so with my carefully thought out reviews). But ultimately I am inspired and aspire to the men of my own world. I am enriched by their journeys and their experiences. I write to them. I write about them.  I am informed by them. This is why I said what I said. I may not have clarified it as well as I should have but that was sort of the point with Jayne’s and my on-going conversation. In a very real way, this slight stumble has helped me define who I am and what kind of writer I am. For that, I can only be grateful.

So my fellow brothers, get out there. Write about us, write about our lives and our struggles, in a literature format. Root it in our lives, as they are or as you’d like them to be. Do it not for profit alone (though it certainly wouldn’t be frowned upon if you did), just do it to ensure our voices are present and accounted for – central to our experiences and our lives. Do it for posterity, do it so our thoughts in this point in time is captured in our own voice. Do it because we need to remind each other – both gently and, at times, purposefully – pressing against our own foibles, follies and prejudices. Teaching and enriching each other to aspire to be better with one another as much as we strive for equality in the greater mainstream community.

So, to my critic I say this – I agree with you up until we talk about my community from within. Then it is my own brother’s voices that hold sway, that have that nugget of truth, that sense of community that only they can speak to because they live it every damned day. It is our world – inherent to us because of the perceptions about us that we have to embolden or deride where they are true or are rooted in prejudice and bigotry. In this they will always hold my interest to a greater extent than any other voice out there. I may not agree with what they have to say but goddamn it, I will be thrilled that they are out there saying it – if anything just because it is still an affirmation that we matter, that our voices matter and should and need to be heard – from us – from the source itself. Only then, through our expression of our lives as they are, no matter the format of expression, will the narrative be central to our collective life’s experiences. I am tired of just sitting on the sidelines. What little years I may have left (I have recently reached my half centennial mark), I choose to be as forceful in presenting our world from our collected experiences as I can.

Others may claim that this is xenophobic in nature. It is not, I can assure you. I am being patriotic within my own community – there is a difference. I do not write against the mainstream heteronormative but rather try to embolden our own collective voices from within and champion them – doing what I can to promote and encourage them to do more and, at the same time, try to raise my voice — though not at the expense of others. And a word to those who would argue against that, they would be exercising the grandest form of bigotry.

If others, outside of our community, want to learn from my journey then great – I welcome them. But I write to my brothers. They are my love letters to them. I may not know them individually, I may not know their journeys or the road they walk in life, but if they stop and bother to tell me, I will always spare a moment to listen. That sixteen year old self is still hungry for their words, their thoughts, their minds. It is a hunger for which I never want satiated. When I take my last breath the only regret I want to have is that I’ll want more but be denied access in what is to come. That is what I will lament and rail against but know that it is for naught. Life just doesn’t work that way. I get that. But I lament the brilliant and colorful lives I will never know – lives to come that will be beyond my mortal reach. So I write from a fictional perspective to create those worlds that would explore what I crave from those voices as yet unheard.

Love letters to my gay brothers. I cherish each and every one of you. I admire your spirit, your courage and your minds. It is a love affair I am all to happy to be a part of. It is a love affair I never want to end.

I know no other way.

Tags: Anderson Cooper | Antonio Biaggi | Boomer Banks | Brad Vance | Chris Salvatore | Christopher Rice | Colby Keller | Community | Dustin Lance Black | Felice Picano | Gay Authors | Gay Community | Gay Men | Gay Men's Voices | Gordon Merrick | Gore Vidal | Greg Berlanti | Jason Collins | Jay Brannan | John Barrowman | John Rechy | Larry Kramer | Levi Michaels | Matt Zarley | Men's voices | Michael Sam | Rocco Steele | Shane Bitney Crone | Steve Grand | Straight Allies | TJ Klune | Tom Daley | Wentworth Miller | Zachary Qunito